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Best friends and mischievous third-graders Vasya Petrov and Petya Vasechkin, despite their differences, share a love for adventures. Romantic Vasya falls for his serious, excellent classmate Masha and writes her an anonymous love note. However, the quick-witted Masha identifies Vasya due to his errors and rejects him harshly. Upset, Vasya confides in Petya, who then devises a cunning plan to win Masha over.
Best friends and mischievous third-graders Vasya Petrov and Petya Vasechkin, despite their differences, share a love for adventures. Romantic Vasya falls for his serious, excellent classmate Masha and writes her an anonymous love note. However, the quick-witted Masha identifies Vasya due to his errors and rejects him harshly. Upset, Vasya confides in Petya, who then devises a cunning plan to win Masha over.
The film focuses on universal, apolitical themes of childhood, friendship, and imagination, with its narrative centered on personal development and navigating social structures rather than promoting a specific political ideology.
This Soviet children's film from the 1980s features traditional casting reflective of its time and place, without intentional diversity initiatives or race/gender swaps. The narrative is a lighthearted comedy that does not critique traditional identities or incorporate explicit DEI themes.
The Soviet children's film 'Priklyucheniya Petrova i Vasechkina, obyknovennye i neveroyatnye' does not include any LGBTQ+ characters or themes. Its narrative centers on the innocent adventures and heterosexual crushes of two schoolboys, reflecting the social norms of its production era.
This Soviet children's musical comedy from 1983 does not feature any identifiable transsexual characters or themes. The narrative focuses on the adventures of two schoolboys, Petrov and Vasechkin, and contains no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
This film introduces original characters without a prior established canon or historical basis. Therefore, no character's gender could have been altered from a previous portrayal or source material.
The film features original characters created for this production. There is no pre-existing source material, previous installments, or historical record to establish a canonical race for any character prior to their portrayal in this film. Therefore, no race swap occurs.
Combines user and critic ratings from four sources