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Hands Across the Sea (1912)

Bias Rating
Analyzing...
Leans Traditional
Viewer Rating

Not Rated

Hands Across the Sea poster

Overview


Starring Cast

Bias Dimensions

Political: Center
Diversity: Low

Overview


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film's central conflict, revolving around a forced marriage and personal happiness, is resolved through an individual act of self-sacrifice, rather than promoting any specific political ideology or systemic critique, leading to a neutral rating.

The movie's characteristics regarding diversity, equity, and inclusion are not explicitly detailed. Based on the absence of specific information about its casting, characters, or narrative themes, the film is assumed to feature traditional casting and does not present a critical portrayal of traditional identities.

Secondary

Based on available information, the 1912 silent film 'Hands Across the Sea' by Gaston Mervale does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on heterosexual relationships and societal drama, consistent with the cinematic conventions of its era.

The 1912 silent film 'Hands Across the Sea' does not feature any identifiable transsexual characters or themes. Its narrative centers on a conventional melodrama concerning class differences and romantic conflict, with no elements related to transgender identity.

The movie does not contain any action or adventure elements.

As an early silent film from 1912, there is no evidence of prior source material, historical figures, or previous installments that would establish character genders before this film's production. Therefore, no character could have been gender-swapped according to the definition.

The film "Hands Across the Sea" (1912) is an early silent film. There is no widely established prior source material, historical figures, or previous installments that define character races before this film's production, making a race swap impossible by definition.


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