Center
10.0
Raman Raghav - A City, A Killer
(1991)
Political: Center
Diversity: Moderate
Shalimar (1946)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
A historical drama that delves into the human side of the legendary romance between Emperor Jehangir and Empress Nur Jehan. The film explores the complexities of their lives, encompassing themes of love, conflict, jealousy, passion, and the pursuit of peace, moving beyond mere regal splendor to portray their emotional journey.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
A historical drama that delves into the human side of the legendary romance between Emperor Jehangir and Empress Nur Jehan. The film explores the complexities of their lives, encompassing themes of love, conflict, jealousy, passion, and the pursuit of peace, moving beyond mere regal splendor to portray their emotional journey.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central narrative revolves around an apolitical treasure hunt, focusing on universal themes of greed, ambition, and individual heroism rather than promoting specific political ideologies. The resolution emphasizes personal justice and the restoration of order without advocating for systemic change.
This Indian production features a cast that is diverse within its cultural context, without engaging in explicit race or gender swaps of traditionally white roles. The narrative is consistent with mainstream action films of its era, not offering critical portrayals of traditional identities.
Secondary
Based on available information, the film 'Shalimar' by Roop K. Shorey does not appear to feature any identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal to evaluate under the given framework.
The film 'Shalimar' (1978) does not feature any identifiable transsexual characters or themes. Its narrative centers on an action-adventure plot involving a master thief and a valuable jewel, with no elements related to transgender identity or experiences. Consequently, the film's portrayal of transsexual themes is rated as N/A.
The movie does not contain any action or adventure elements.
Shalimar (1946) is an original film and not an adaptation of existing source material with pre-established characters. Therefore, there are no canonical characters whose gender could have been swapped.
The film "Shalimar" (1946) is not identified as an adaptation of prior source material or a biopic. Without established canonical or historical racial baselines for its characters before this film's release, no race swap can be determined.
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