Leans Progressive
6.8
Rapture
(1999)
Political: Strong Left
Diversity: Moderate
Tennessee Valley Authority (1946)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
A film by Slavko Vorkapich.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Low
Overview
A film by Slavko Vorkapich.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film explicitly promotes the Tennessee Valley Authority, a New Deal program representing large-scale government intervention to solve economic and social problems, aligning with a progressive ideology of collective action and public welfare.
This film, a documentary about the Tennessee Valley Authority from the mid-20th century, features casting that reflects the traditional demographics of its era without intentional modern diversity initiatives. Its narrative focuses on the positive aspects of the government project, portraying traditional identities in a neutral or positive light without any critical framing or explicit DEI themes.
Secondary
The 1941 documentary 'Tennessee Valley Authority' by Slavko Vorkapich details the development and benefits of the TVA project. The film's focus is entirely on infrastructure, progress, and regional development, and it does not feature any identifiable LGBTQ+ characters or themes, resulting in a net impact of N/A for LGBTQ+ portrayal.
The film "Tennessee Valley Authority" is a 1941 documentary short focused on the New Deal project of the same name, detailing its engineering and societal impact. There are no identifiable transsexual characters or themes present in the narrative or subject matter.
The movie does not contain any action or adventure elements.
This 1946 documentary film focuses on the operations and achievements of the Tennessee Valley Authority. It does not feature fictional characters or adaptations of source material with pre-established genders that could be subject to a gender swap.
This 1946 film is a documentary about the Tennessee Valley Authority. Documentaries typically feature real people or general representations rather than fictional characters with pre-established canonical races, making the concept of a 'race swap' inapplicable.
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