Leans Traditional
8.9
The Passion of Joan of Arc
(1928)
Political: Center
Diversity: Low
Madame Tallien (1911)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Christianity: Positive
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central narrative, focusing on Madame Tallien's role in ending the Reign of Terror, critiques the dangers of revolutionary extremism and champions a return to social order and stability. This thematic emphasis aligns with a right-leaning perspective that views radical change with skepticism.
This early 20th-century historical drama features traditional casting, consistent with the filmmaking practices of its era, and does not exhibit any intentional diversity in its character representation. The narrative focuses on historical events without engaging in critiques of traditional identities or incorporating explicit DEI themes.
Secondary
Set during the French Revolution, the film likely depicts the persecution of the clergy during the Reign of Terror. By portraying these events as tragic excesses of the Revolution, the narrative implicitly condemns the anti-religious bigotry, thus eliciting sympathy for the victimized Christians.
The film 'Madame Tallien' (1911) is a historical drama focusing on the French Revolution. There is no evidence of LGBTQ+ characters or themes within its plot or character arcs, resulting in a determination of N/A for its portrayal of queer identity.
The film 'Madame Tallien' is a historical drama depicting the life of a prominent cisgender woman during the French Revolution. There is no available information or evidence to suggest the presence of transsexual characters or themes within its narrative.
The movie does not contain any action or adventure elements.
The film is a historical drama centered on Madame Tallien, a real historical woman. There is no evidence or historical record to suggest that any established historical figures or canonical characters were portrayed with a different gender in this 1911 production.
The film depicts Thérésa Tallien, a real historical figure known to be white. The actress portraying her, Cécile Guyon, was also white. There is no historical or canonical evidence of any character in this 1911 historical drama being portrayed by an actor of a different race than established.
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