Viewer Rating
Combines user and critic ratings from four sources

Aymé Pigrenet, a recently widowed farmer, is eager to find a new wife to help him run his farm. Desperate, he seeks the aid of a local matchmaker who suggest that he go to Romania to find a new wife. There he meets Elena.
Aymé Pigrenet, a recently widowed farmer, is eager to find a new wife to help him run his farm. Desperate, he seeks the aid of a local matchmaker who suggest that he go to Romania to find a new wife. There he meets Elena.
The film's central subject matter revolves around personal relationships, identity, and comedic deception within a romantic comedy genre, rather than engaging with specific political ideologies, leading to a neutral rating.
The movie features traditional casting, primarily depicting white French and Romanian characters within its cultural context. Its narrative centers on the personal journey of a traditional male protagonist, exploring themes of loneliness and cross-cultural relationships without explicitly critiquing traditional identities or foregrounding DEI themes.
The film features Elena, a central character whose lesbian identity and love for Doina are integral to her arc. The narrative respectfully portrays their relationship, culminating in Elena choosing to be with Doina. This depiction affirms LGBTQ+ love and agency, presenting it as a valid and fulfilling path without mockery or negative judgment.
The film centers on Alice, a transsexual woman seeking a new life and love. It sensitively portrays her journey and the challenges she faces when her past is revealed to her love interest, Paul. While incorporating comedic elements, the narrative ultimately champions acceptance and the validity of transsexual identity and relationships, concluding with an affirming message of love and understanding.
The movie does not contain any action or adventure elements.
This film is an original romantic comedy with no prior source material or historical figures. All characters were created for this specific movie, therefore no character's gender could have been swapped from a previous canon.
This film is an original production from 2005, not an adaptation of existing source material, a biopic, or a reboot with legacy characters. Therefore, no characters have a pre-established canonical or historical race to be altered.
Combines user and critic ratings from four sources























