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OSS 117: Cairo, Nest of Spies (2006)

Bias Rating
Analyzing...
Progressive
Viewer Rating
Rating: 7.0
OSS 117: Cairo, Nest of Spies poster

Overview

Set in 1955, French secret agent Hubert Bonisseur de La Bath/OSS 117 is sent to Cairo to investigate the disappearance of his best friend and fellow spy Jack Jefferson, only to stumble into a web of international intrigue.


Starring Cast


Where to watch

Philo logoPhilo
Apple TV logoApple TV
Google Play logoGoogle Play
Powered byJustWatch

Bias Dimensions

Political: Strong Left
Diversity: High
LGBTQ: Negative
Trans: Negative
Islam: Positive
Judaism: Positive

Overview

Set in 1955, French secret agent Hubert Bonisseur de La Bath/OSS 117 is sent to Cairo to investigate the disappearance of his best friend and fellow spy Jack Jefferson, only to stumble into a web of international intrigue.


Starring Cast


Where to watch

Philo logoPhilo
Apple TV logoApple TV
Google Play logoGoogle Play
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Progressive

Primary

The film's central comedic premise explicitly satirizes French colonialism, orientalism, and the protagonist's inherent racism and nationalistic ignorance, thereby promoting a critical perspective aligned with progressive ideology.

The movie features a diverse supporting cast reflecting its Egyptian setting. Its narrative prominently critiques traditional identities, particularly through the satirical portrayal of the white, male, colonialist protagonist whose outdated views and cultural insensitivity are central to the film's humor.

Secondary

The film features a brief, stereotypical portrayal of a gay-coded character, primarily to highlight the protagonist's ignorance and prejudice through satire. While the satire targets bigotry, the reliance on a harmful stereotype for comedic effect, without offering dignity or complexity to the LGBTQ+ character, results in a net negative portrayal.

The film features a character, Princess Al Tarouk, initially presented as a woman but revealed to be a man in disguise. This revelation serves as a comedic punchline, eliciting shock and disgust from the protagonist, OSS 117. The portrayal utilizes the 'man in a dress' trope, framing gender non-conformity as a source of mockery rather than exploring identity with dignity or respect.

The film depicts Islam and Muslim characters through the prejudiced and ignorant lens of OSS 117. The narrative consistently ridicules his colonialist and bigoted views, making his prejudice the target of satire and affirming the dignity of the depicted Muslim characters and culture.

The film portrays anti-Semitic stereotypes and remarks through the protagonist, OSS 117. However, the narrative clearly satirizes his ignorance and bigotry, positioning the audience to condemn his prejudice rather than the religion itself.

The film features female characters like Larmina El Akmar Betouche and Countess Alix de la Bathie. While involved in espionage and action, neither character is depicted engaging in or winning close-quarters physical combat against one or more male opponents. Their roles are primarily intelligence-based or involve other forms of conflict resolution.

The film is based on the existing OSS 117 character, who remains male. Key supporting characters, such as Larmina El Akmar Betouche, are original creations for this specific film and not gender-swapped versions of previously established characters.

The film is a parody based on existing novels, but its main characters, including OSS 117, are portrayed consistent with their established race. Other significant characters are original to this film's narrative and do not represent a race swap from prior canon.


Viewer Rating Breakdown

7.0

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
7.0
The Movie Database logo
7.2

Critic Ratings

Rotten Tomatoes logo
7.6
Metacritic logo
6.2

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