Apple TVTyler Perry's House of Payne (2007)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 5.6
Overview
The show revolved around a multi-generational family living under one roof in Atlanta led by patriarch Curtis Payne and his wife Ella.
Starring Cast
Where to watch
Apple TV
Google PlayBias Dimensions
Political: Leans Right
Diversity: Moderate
LGBTQ: Positive
Christianity: Positive
Overview
The show revolved around a multi-generational family living under one roof in Atlanta led by patriarch Curtis Payne and his wife Ella.
Starring Cast
Where to watch
Apple TVGoogle PlayDetailed Bias Analysis
Analyzing...
Center
Primary
The series consistently promotes traditional family values, personal responsibility, and faith-based solutions to life's challenges, framing individual moral choices as the primary drivers of success and resolution within the family unit.
The series prominently features a diverse cast, centering on an African American family, which inherently showcases diversity. However, this casting choice does not involve explicit race or gender swaps of traditionally white roles. The narrative primarily focuses on family life and does not explicitly critique traditional identities or center on strong DEI-driven themes.
Secondary
Tyler Perry's House of Payne features Kevin Ortiz, a gay character whose coming-out story is explored with empathy. The narrative follows his journey of self-acceptance and his family's evolving understanding, ultimately portraying his identity and relationship with dignity and validation, leading to a net positive impact.
The show consistently portrays Christianity as a positive, guiding force for the Payne family, emphasizing values like forgiveness, community, and moral uprightness. While characters face struggles and sometimes falter, the narrative always affirms faith as the path to redemption and strength.
The movie does not contain any action or adventure elements.
Tyler Perry's House of Payne is an original television series, not an adaptation of pre-existing material with established characters. Therefore, no characters were canonically, historically, or widely established as a different gender prior to this show's creation.
Tyler Perry's House of Payne is an original television series, not an adaptation or a reboot of characters with previously established racial identities. All characters were created for this show, therefore no race swaps occurred.
Viewer Rating Breakdown
5.6
Viewer Rating
Combines user and critic ratings from four sources
User Ratings
3.7
7.5
Critic Ratings
N/A
N/A
More Like This
Leans Progressive
7.4
The Little Guy
(2022)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Center
6.8
The Disintegrated Convict
(1907)
Political: Center
Diversity: Moderate
Center
7.4
The Adventures of Timmy the Tooth: Spooky Tooth
(1995)
Political: Center
Diversity: Moderate
Center
8.2
Snorks: Bubbles of Fun
(1987)
Political: Center
Diversity: Moderate
Center
6.8
Phineas and Ferb: Mission Marvel
(2013)
Political: Center
Diversity: Moderate
Leans Traditional
10.0
In Trousers
(1979)
Political: Center
Diversity: Low
Leans Progressive
7.3
Kiff: The Haunting of Miss McGravy's House
(2024)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Center
7.0
Lego Disney Princess: Villains Unite
(2025)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Traditional
7.7
Barton Fink
(1991)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Great Race
(1965)
Political: Center
Diversity: Low
Leans Traditional
7.6
Winnie the Pooh
(2011)
Political: Center
Diversity: Low
Center
7.1
Citizens Band
(1977)
Political: Center
Diversity: Low
LGBTQ: Positive
Leans Traditional
8.2
Funny Girl
(1968)
Political: Center
Diversity: Low
Center
7.4
Phantom of the Paradise
(1974)
Political: Strong Left
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.0
The Lost Boys
(1987)
Political: Center
Diversity: Low
Progressive
7.6
Torch Song Trilogy
(1988)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Traditional
8.3
How to Steal a Million
(1966)
Political: Center
Diversity: Low
Center
6.6
The Terminal
(2004)
Political: Center
Diversity: Moderate
Leans Traditional
7.2
Thunderbolt and Lightfoot
(1974)
Political: Center
Diversity: Low
Leans Progressive
6.9
The Boxtrolls
(2014)
Political: Strong Left
Diversity: Moderate