Viewer Rating
Combines user and critic ratings from four sources
This is a modern story of a prosperous family, in whose harmonious way of life a young man, a former partner of her husband in creating a computer network, breaks into. Involving his wife in a love affair, he pretends to be a messenger from Shambhala. At some point, she is ready to believe him, despite her husband's convictions that her chosen one is crazy. The psychologically tense action is set off by episodes of the hero's fantasies, in which the intrigue is given a comic effect, so there is no reason to assume a tragic ending.
This is a modern story of a prosperous family, in whose harmonious way of life a young man, a former partner of her husband in creating a computer network, breaks into. Involving his wife in a love affair, he pretends to be a messenger from Shambhala. At some point, she is ready to believe him, despite her husband's convictions that her chosen one is crazy. The psychologically tense action is set off by episodes of the hero's fantasies, in which the intrigue is given a comic effect, so there is no reason to assume a tragic ending.
A political bias evaluation cannot be performed as no plot details or thematic information were provided for the film, preventing assessment of its ideological context or proposed solutions.
Based on the absence of specific details regarding casting or narrative content, the movie does not present explicit DEI characteristics, nor does it lean towards traditional portrayals. Its characteristics suggest a neutral stance regarding diversity, equity, and inclusion themes.
Based on the provided information, there is no identifiable depiction of LGBTQ+ characters or themes in the film. Therefore, an evaluation of its portrayal is not applicable.
The film 'Right to Choose' centers on a couple's conflict over an abortion decision. Based on available plot summaries and cast information, there are no identifiable transsexual characters or themes depicted in the narrative. Therefore, the film's portrayal of transsexual individuals and themes is not applicable.
The film is a drama centered on social and ethical dilemmas, specifically regarding abortion and adoption. It does not contain any action or combat sequences. Therefore, there are no instances of female characters engaging in or winning physical combat against male opponents.
There is no widely recognized source material, prior adaptation, or historical context for "Pravo na vybor" (2000) that establishes canonical genders for its characters. Without a pre-existing baseline, no character can be identified as having undergone a gender swap.
This Russian film from 2000 does not appear to be an adaptation of any established source material, a biopic, or a reboot with legacy characters. Therefore, there is no prior canonical or historical racial depiction against which to assess a race swap.
Combines user and critic ratings from four sources