Viewer Rating
Combines user and critic ratings from four sources
Comic thriller about two people who miss the last local train and how missing the train changes the course of their lives forever.
Comic thriller about two people who miss the last local train and how missing the train changes the course of their lives forever.
The film primarily focuses on an individual's desperate struggle for survival through a chaotic night, driven by chance and unfortunate events. It depicts urban corruption and crime as narrative elements rather than explicitly promoting or critiquing specific political ideologies, leading to a neutral rating.
The film features a mainstream Indian cast typical for its industry, without any explicit DEI-driven casting choices. Its narrative, a black comedy thriller, focuses on individual misadventures and does not engage in explicit critique or negative portrayal of traditional identities or center DEI themes.
The film "Ek Chalis Ki Last Local" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on the misadventures of its heterosexual protagonists and the various individuals they encounter during a single night, without incorporating any queer representation.
Ek Chalis Ki Last Local does not feature any identifiable transsexual characters or themes. The narrative focuses on the misadventures of two protagonists caught in a night of crime and bizarre encounters, without engaging with transsexual identity or related issues.
The film does not feature any scenes where a female character defeats one or more male opponents in direct physical combat. The primary female character, Madhu, is involved in dangerous situations but does not engage in or win close-quarters physical fights against men.
Ek Chalis Ki Last Local is an original film with no prior source material, historical figures, or legacy characters. Therefore, no characters were established as one gender in a previous canon and then portrayed as a different gender in this film.
This film is an original production from 2007, not an adaptation of existing source material, a biopic, or a reboot with legacy characters. There are no prior established canonical or historical racial depictions for its characters to be compared against.
Combines user and critic ratings from four sources