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Combines user and critic ratings from four sources
16-year old Steffi just graduated from high school and is very much looking forward to her class trip to Paris where she has promised her boyfriend Fabian the romantic night that she has kept him waiting for so long. Her lifelong plan to join the police forces is already set up, her adult life is right around the corner. At a routine health check-up, just before the trip to Paris, Steffi and her parents are faced with a shattering diagnosis ...
16-year old Steffi just graduated from high school and is very much looking forward to her class trip to Paris where she has promised her boyfriend Fabian the romantic night that she has kept him waiting for so long. Her lifelong plan to join the police forces is already set up, her adult life is right around the corner. At a routine health check-up, just before the trip to Paris, Steffi and her parents are faced with a shattering diagnosis ...
The film's central focus on a young woman's personal journey of self-discovery and acceptance in the face of terminal illness is largely apolitical, championing individual agency and human connection without promoting specific ideological viewpoints.
Based on the limited information provided, the movie is assessed as featuring traditional casting and a narrative that does not explicitly critique traditional identities or center DEI themes. No explicit DEI elements are evident from the given details.
The film explores themes of faith and doubt through its characters, particularly a devout Catholic young man and a protagonist grappling with a terminal illness. While the protagonist initially expresses anger towards God, the narrative ultimately portrays faith, specifically Catholicism, as a source of strength, comfort, and a framework for finding meaning in suffering, without ridiculing its adherents or practices.
The film centers on a young woman's journey of self-discovery and a heterosexual romance following a terminal cancer diagnosis. There are no identifiable LGBTQ+ characters or themes present in the narrative.
The film 'God, You’re Such a Prick' does not feature any identifiable transsexual characters or themes. The plot focuses on a cisgender woman's journey after a terminal cancer diagnosis, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
The film "God, You're Such a Prick" is an adaptation of an autobiographical novel. There is no indication that any character, originally established as a specific gender in the source material or real-life basis, had their gender changed for the film adaptation.
The film is based on a true story and book about a German teenager. The main character, Steffi Pape, a white individual, is portrayed by a white actress, Sinje Irslinger. There is no evidence of any established character's race being changed.
Combines user and critic ratings from four sources