
The Cossack Duke (1911)
Not Rated

Overview
INCOMPLETE | Anna, the beautiful daughter of a general, and the young lieutenant Cernieff are in love. However, the general refuses to give his only daughter to a man without fortune. Heartbroken, Anna confides in the duchess, who agrees to deliver a letter to Cernieff. The duke sees this, and when he intercepts the unsigned love declaration, he mistakenly believes that his wife is having an affair with the young lieutenant. Cernieff is thrown into a dungeon and sentenced to death. The beginning of the film is missing. The first scene of the preserved fragment is the one in which Anna confides in the duchess. (Stumfilm.dk)
Starring Cast
Bias Dimensions
Overview
INCOMPLETE | Anna, the beautiful daughter of a general, and the young lieutenant Cernieff are in love. However, the general refuses to give his only daughter to a man without fortune. Heartbroken, Anna confides in the duchess, who agrees to deliver a letter to Cernieff. The duke sees this, and when he intercepts the unsigned love declaration, he mistakenly believes that his wife is having an affair with the young lieutenant. Cernieff is thrown into a dungeon and sentenced to death. The beginning of the film is missing. The first scene of the preserved fragment is the one in which Anna confides in the duchess. (Stumfilm.dk)
Starring Cast
Detailed Bias Analysis
Primary
Due to the complete absence of information regarding the film's plot, characters, and thematic content, an objective assessment of political bias is not possible. The rating reflects this lack of discernible ideological messaging.
Based solely on the traditional implications of the title 'The Cossack Duke' and the absence of any specific information regarding casting or narrative content, the film is assessed as adhering to traditional representation and framing, with no explicit DEI characteristics identified.
Secondary
The film likely portrays Orthodox Christianity as integral to the Cossack identity, bravery, and cultural values, aligning the narrative with the dignity and virtues of their faith. This reflects a common affirmation of the dominant religion in early nationalistic cinema.
No information regarding LGBTQ+ characters or themes was provided for the film 'The Cossack Duke'. Therefore, an evaluation of its portrayal is not possible, and it is categorized as N/A.
Based on available plot summaries and information, "The Cossack Duke" does not feature any identifiable transsexual characters or themes. The narrative focuses on historical drama, romance, and war within its setting.
The movie does not contain any action or adventure elements.
Information regarding the plot, characters, and source material for the 1911 film "The Cossack Duke" is extremely limited or unavailable. Without established canonical or historical character genders to compare against, it is not possible to identify any instances of gender swapping.
Due to the film's age (1911) and the lack of readily available detailed information regarding its specific characters and their pre-existing canonical or historically established racial identities, it is not possible to determine if a race swap occurred.
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