5.8
Viewer Rating
Combines user and critic ratings from four sources
Hereafter (2010)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 5.8
Overview
Three people — a blue-collar American, a French journalist and a London school boy — are touched by death in different ways.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Three people — a blue-collar American, a French journalist and a London school boy — are touched by death in different ways.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's exploration of universal themes like death, grief, and the search for connection is inherently apolitical, focusing on individual healing and shared human experience rather than promoting any specific ideological viewpoint.
The film features a cast that includes visible diversity in supporting roles across its international settings, but its primary characters are cast in traditional roles without explicit race or gender swaps. The narrative focuses on personal journeys related to grief and the afterlife, without engaging in critical portrayals of traditional identities or making DEI themes central to its plot.
Secondary
The film "Hereafter" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on themes of death, grief, and the afterlife through the experiences of its three main protagonists, without incorporating queer identity into its story.
Hereafter does not feature any identifiable transsexual characters or explore themes related to transsexual identity. The narrative centers on individuals grappling with death, loss, and psychic phenomena, with no elements pertaining to transgender experiences.
The movie does not contain any action or adventure elements.
Hereafter is an original film with characters created specifically for its screenplay. There are no pre-existing canonical or historical characters whose gender could have been altered for this production.
Hereafter is an original film with characters created specifically for this production. There is no prior source material, historical figures, or previous installments from which character races were established. Therefore, no character can be considered a race swap.
Viewer Rating Breakdown
User Ratings
6.5
6.1
Critic Ratings
4.8
5.6
More Like This
Leans Progressive
7.4
Invictus
(2009)
Political: Center
Diversity: High
Leans Traditional
7.7
On a Clear Day You Can See Forever
(1970)
Political: Center
Diversity: Low
Leans Progressive
8.3
Letters from Iwo Jima
(2006)
Political: Leans Left
Diversity: Moderate
Center
8.0
Edward Scissorhands
(1990)
Political: Leans Left
Diversity: Low
Progressive
6.7
Spirit: Stallion of the Cimarron
(2002)
Political: Strong Left
Diversity: High
Center
8.7
Oppenheimer
(2023)
Political: Leans Left
Diversity: Low
Center
6.6
Prospero's Books
(1991)
Political: Center
Diversity: Moderate
LGBTQ: Neutral
Leans Traditional
7.9
Big
(1988)
Political: Center
Diversity: Low
Leans Traditional
8.1
Groundhog Day
(1993)
Political: Center
Diversity: Low
Center
8.8
It's a Wonderful Life
(1946)
Political: Leans Left
Diversity: Low
Leans Traditional
7.4
The Muppet Christmas Carol
(1992)
Political: Center
Diversity: Low
Center
8.4
Being John Malkovich
(1999)
Political: Center
Diversity: Low
LGBTQ: Positive
Leans Traditional
6.7
Stillwater
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Progressive
7.5
The Last Duel
(2021)
Political: Strong Left
Diversity: Moderate
Leans Progressive
8.4
Million Dollar Baby
(2004)
Political: Leans Left
Diversity: Moderate
Center
7.4
Flags of Our Fathers
(2006)
Political: Leans Left
Diversity: Low
Center
7.2
Stranger Than Fiction
(2006)
Political: Center
Diversity: Moderate
Leans Traditional
8.6
The Departed
(2006)
Political: Center
Diversity: Low
LGBTQ: Negative
Traditional
7.4
Richard Jewell
(2019)
Political: Leans Right
Diversity: Low
Progressive
7.0
Syriana
(2005)
Political: Strong Left
Diversity: High