Center
10.0
The Song of the Hoggar
(1931)
Political: Center
Diversity: Moderate
Culture of the Dahlia (1911)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
This most interesting picture shows how the experienced horticulturist cultivates his dahlias and it tells its story so plainly that any one after seeing the picture should have no excuse for the raising of poor flowers of this kind. The dahlia is undoubtedly one of the garden beauties, and such a film as this ought to stimulate the interest of the community, and result in your home town being made even more beautiful than it is.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
This most interesting picture shows how the experienced horticulturist cultivates his dahlias and it tells its story so plainly that any one after seeing the picture should have no excuse for the raising of poor flowers of this kind. The dahlia is undoubtedly one of the garden beauties, and such a film as this ought to stimulate the interest of the community, and result in your home town being made even more beautiful than it is.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
Due to the complete absence of film content, plot details, or thematic information, an objective assessment of political bias is not possible, leading to a default neutral rating.
Based on the absence of specific details regarding casting and narrative content for 'Culture of the Dahlia,' the evaluation defaults to a neutral assessment for both representation and thematic framing. This indicates no explicit DEI-driven casting or strong narrative critique of traditional identities, nor a purely traditional approach.
Secondary
Based on the information provided, 'Culture of the Dahlia' does not contain identifiable LGBTQ+ characters or themes. Therefore, a comprehensive evaluation of its portrayal is not possible, resulting in an N/A rating for its net impact on LGBTQ+ representation.
The film "Culture of the Dahlia" does not feature any identifiable transsexual characters or themes. The narrative primarily focuses on a young woman's psychological journey of identity and trauma, without engaging with transgender identity.
The movie does not contain any action or adventure elements.
The provided information for "Culture of the Dahlia" (1911) does not include details about source material or established characters. Without a baseline for canonical or historical gender, it is not possible to identify any gender swaps.
The film is from 1911, and no information is provided regarding source material, prior canon, or historical figures. Without an established pre-existing race for any character, it is impossible to determine if a race swap occurred.
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