Viewer Rating
Combines user and critic ratings from four sources
The story of haves and have-nots in a world in which there’s almost nothing left to have. 200 years after the apocalypse, the gentle denizens of luxury fallout shelters are forced to return to the irradiated hellscape their ancestors left behind — and are shocked to discover an incredibly complex, gleefully weird, and highly violent universe waiting for them.
The story of haves and have-nots in a world in which there’s almost nothing left to have. 200 years after the apocalypse, the gentle denizens of luxury fallout shelters are forced to return to the irradiated hellscape their ancestors left behind — and are shocked to discover an incredibly complex, gleefully weird, and highly violent universe waiting for them.
The film's central thesis explicitly promotes progressive ideology by offering a comprehensive critique of corporate capitalism, militarism, authoritarianism, and the societal consequences of unchecked greed and technological overreach.
The 'Fallout' TV series incorporates significant DEI elements through its intentional casting of a diverse lead and prominent characters. The narrative further reinforces these themes by critiquing traditional American ideals and societal structures, exploring concepts of morality as a privilege, and addressing equity.
The Fallout TV series features subtle yet meaningful LGBTQ+ representation, primarily through Dane, a non-binary character depicted positively and respectfully. The show integrates queerness naturally, avoiding tokenism, and explores themes of social reconstruction that align with inclusive values, contributing to an overall affirming portrayal within its post-apocalyptic world.
The show Fallout features Dane, a non-binary character, depicted with respect and integration as a confident member of the Brotherhood of Steel. Their identity is subtly acknowledged through pronoun usage, without being central to the plot or a source of conflict. This portrayal emphasizes inclusion and avoids stereotypes, presenting an affirming depiction of a trans/non-binary individual within the diverse world-building.
The show features Lucy MacLean engaging in close-quarters physical combat against male opponents. In one notable scene, she fights male raiders using melee combat during an attack on Vault 33, contributing to their defeat.
The film portrays Christianity as a surviving and influential cultural force in the post-apocalyptic world, with adapted rituals and symbols continuing to be practiced. Its depiction is nuanced, exploring its continuity and integration into new societal structures without presenting it as inherently oppressive or foolish.
The Fallout series introduces new, original characters, including non-binary individuals. However, no pre-existing characters from the Fallout game canon or historical record have had their established gender changed for the series.
The show features original characters or characters whose race was not explicitly defined in the source material. The casting aligns with the game's lore of diverse populations, and no direct conflicts with established character ethnicity from the source material are present.
Combines user and critic ratings from four sources