7.2
Viewer Rating
Combines user and critic ratings from four sources
The Three Musketeers: Milady (2023)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.2
Overview
D'Artagnan, on a quest to rescue the abducted Constance, runs into the mysterious Milady de Winter again. The tension between the Catholics and the Protestants finally escalates, as the king declares war — forcing the now four musketeers into battle. But as the war goes on, they are tested physically, mentally and emotionally.
Starring Cast
Where to watch
Bias Dimensions
Political: Leans Right
Diversity: Low
LGBTQ: Neutral
Female Combat: Yes
Christianity: Negative
Overview
D'Artagnan, on a quest to rescue the abducted Constance, runs into the mysterious Milady de Winter again. The tension between the Catholics and the Protestants finally escalates, as the king declares war — forcing the now four musketeers into battle. But as the war goes on, they are tested physically, mentally and emotionally.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's narrative champions the defense of the monarchical order and its agents against rebellion, emphasizing traditional values of loyalty, honor, and established authority within a historical context.
The movie features predominantly white European casting consistent with its historical setting and source material, without explicit race or gender swaps. Its narrative focuses on historical adventure and intrigue, not explicitly engaging with or promoting contemporary DEI themes or critiquing traditional identities, even with a strong female character like Milady de Winter.
Secondary
The Three Musketeers: Milady subtly incorporates LGBTQ+ themes through character dynamics and subtext. Brief scenes include insinuations of bisexuality, and Milady's portrayal challenges traditional gender roles. While queer subtext exists in the musketeers' bonds, explicit LGBTQ+ representation is not central to the plot, resulting in an incidental portrayal.
The film features Milady de Winter, a highly skilled operative, who repeatedly engages in and wins close-quarters physical fights against multiple male guards and adversaries using knives and hand-to-hand combat.
The film portrays religious divisions between Catholics and Protestants as a significant source of societal ills, violence, and political intrigue in 17th-century France. The narrative uses these conflicts as a backdrop to highlight the destructive consequences of religious factionalism rather than affirming the faith itself.
The film *The Three Musketeers: Milady* does not explicitly portray transsexual characters or themes. Although historical and literary interpretations of Milady de Winter's character may suggest gender ambiguity, the movie's narrative does not directly engage with trans identity or community representation, resulting in no identifiable depiction.
The analysis of "The Three Musketeers: Milady" (2023) against its source material and historical records reveals no instances of gender swapping. All major and supporting characters maintain their established genders from Alexandre Dumas's novel and historical accounts.
The film's casting for established characters aligns with their traditional depictions or the source material did not specify race. The character Hannibal is inspired by a historical Black musketeer, not a race swap of an existing character. Constance Bonacieux's race was not specified in the novel.
Viewer Rating Breakdown
User Ratings
6.4
6.4
Critic Ratings
8.6
7.4
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