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The kingdom that floats above in the sky, that uses free doodles as an energy source, “Rakuga Kingdom.” However, now in the face of a lack in energy, they are on the brink of ruin. In order to force the creation of doodles, the kingdom’s army begins its attack on Kasukabe on the surface! Meanwhile, as the drawings begin to move, the hero who is bestowed the hidden treasure of the kingdom, the “Miracle Crayon”—is none other than the “super happy-go-lucky 5-year-old,” Nohara Shinnosuke!! Together as the “Almost Four Heroes,” Shinnosuke and the drawn doodles try to take back Kasukabe! Amongst that, they discover the weakness of the doodles, where they dissolve upon contact with water! To make matters worse, a raincloud that looks to start pouring at any moment hovers above… What awaits their encounter with the doodles and the end of their adventure—will it be smiles, or tears!?
The kingdom that floats above in the sky, that uses free doodles as an energy source, “Rakuga Kingdom.” However, now in the face of a lack in energy, they are on the brink of ruin. In order to force the creation of doodles, the kingdom’s army begins its attack on Kasukabe on the surface! Meanwhile, as the drawings begin to move, the hero who is bestowed the hidden treasure of the kingdom, the “Miracle Crayon”—is none other than the “super happy-go-lucky 5-year-old,” Nohara Shinnosuke!! Together as the “Almost Four Heroes,” Shinnosuke and the drawn doodles try to take back Kasukabe! Amongst that, they discover the weakness of the doodles, where they dissolve upon contact with water! To make matters worse, a raincloud that looks to start pouring at any moment hovers above… What awaits their encounter with the doodles and the end of their adventure—will it be smiles, or tears!?
The film's central conflict around preserving childhood imagination and creativity is largely apolitical, and its solution emphasizes universal values like individual expression, family, and joy rather than promoting a specific political ideology.
This Japanese animated film naturally features a non-white cast, consistent with its cultural origin, without incorporating explicit DEI-driven casting changes. The narrative focuses on comedic adventure and does not present critical portrayals of traditional identities or integrate strong, explicit DEI themes.
The film 'Shinchan: Crash! Scribble Kingdom and Almost Four Heroes' does not include any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate as positive, negative, or neutral within the narrative.
The film does not feature any identifiable transsexual characters or themes. The narrative focuses on a magical kingdom and children's drawings, with no elements related to transgender identity present in the plot or character arcs.
The film does not feature any female characters engaging in or winning direct physical combat against one or more male opponents. Female characters are present but do not participate in such combat scenarios.
This film is an installment in the long-running "Crayon Shin-chan" franchise. All established characters from the series maintain their canonical genders. New characters introduced in this movie are original to this specific story and do not represent gender-swapped versions of pre-existing figures.
The film is an installment of the Japanese animated franchise "Crayon Shin-chan." All established characters, originally depicted as East Asian (Japanese), maintain this portrayal in the 2020 movie. There are no instances of characters being depicted as a different race than their established canon.
Combines user and critic ratings from four sources