MovieBias
See all results for ""
BrowseAnalyticsAbout

Flowers in the Attic: The Origin (2022)

Bias Rating
Analyzing...
Progressive
Viewer Rating
Rating: 7.2
Flowers in the Attic: The Origin poster

Overview

After a whirlwind romance, Olivia finds herself as the mistress of the imposing Foxworth Hall, where she soon discovers that the fairy tale life she expected has quickly become a nightmare.


Starring Cast


Where to watch

Philo logoPhilo
Apple TV logoApple TV
Google Play logoGoogle Play
Powered by
JustWatch

Bias Dimensions


Political: Strong Left
Diversity: High

LGBTQ: Positive
Christianity: Negative

Overview

After a whirlwind romance, Olivia finds herself as the mistress of the imposing Foxworth Hall, where she soon discovers that the fairy tale life she expected has quickly become a nightmare.


Starring Cast


Where to watch

Philo logoPhilo
Apple TV logoApple TV
Google Play logoGoogle Play
Powered by
JustWatch

Detailed Bias Analysis

Analyzing...
Progressive

Primary

The film's central thesis explicitly critiques patriarchal control and the systemic abuse of women within traditional family structures, portraying the devastating psychological and physical consequences of such oppression. This strong systemic critique aligns with progressive ideology.

The miniseries maintains traditional casting for its core characters, consistent with the source material. However, its narrative strongly critiques traditional patriarchal power structures by explicitly portraying the white male patriarch as the central antagonist and source of significant abuse, which is fundamental to the story's themes.

Secondary

Flowers in the Attic: The Origin features a central lesbian relationship between Corinne Foxworth and her tutor, Miss Laura, depicted with genuine affection. Though the relationship ends tragically due to violent homophobia from Corinne's mother, the narrative critiques this prejudice, portraying the mother's actions as cruel. The series affirms the worth of the queer love by highlighting the devastating impact of its destruction.

The film depicts a rigid, hypocritical, and judgmental form of Christianity, primarily through the Foxworth family, as a tool for control, abuse, and the justification of cruel acts. The narrative consistently exposes the destructive consequences of this twisted religiosity, offering no significant counterbalancing positive portrayal.

The movie does not contain any action or adventure elements.

The series is a prequel to the "Flowers in the Attic" saga, focusing on the origins of the Foxworth family. All major characters, including Olivia and Malcolm Foxworth, maintain their canonically established genders from the source material and previous adaptations.

The series introduces new characters, but all established characters from the Flowers in the Attic canon maintain their original race as depicted in the source material and previous adaptations. No instances of race swapping were identified.


Viewer Rating Breakdown

7.2

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
7.1
The Movie Database logo
7.3

Critic Ratings

Rotten Tomatoes logo
N/A
Metacritic logo
N/A

More Like This

Candyman poster
Progressive
6.8
Candyman
 (1992)

Political: Strong Left
Diversity: High
Les Misérables poster
Leans Progressive
7.0
Les Misérables
 (2012)

Political: Strong Left
Diversity: Low
Pleasantville poster
Progressive
7.6
Pleasantville
 (1998)

Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Vice poster
Leans Progressive
6.7
Vice
 (2018)

Political: Strong Left
Diversity: Moderate
LGBTQ: Neutral
The Holdovers poster
Leans Progressive
8.4
The Holdovers
 (2023)

Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Tortilla Soup poster
Leans Progressive
6.6
Tortilla Soup
 (2001)

Political: Center
Diversity: Moderate
LGBTQ: Positive
The Last of the Curlews poster
Leans Progressive
8.4
The Last of the Curlews
 (1972)

Political: Leans Left
Diversity: Moderate
Titan: The OceanGate Submersible Disaster poster
Leans Progressive
6.7
Titan: The OceanGate Submersible Disaster
 (2025)

Political: Strong Left
Diversity: Moderate
Guess Who's Coming to Dinner poster
Progressive
7.2
Guess Who's Coming to Dinner
 (1967)

Political: Leans Left
Diversity: High
THX 1138 poster
Leans Progressive
7.2
THX 1138
 (1971)

Political: Leans Left
Diversity: Moderate
The Hours poster
Leans Progressive
7.7
The Hours
 (2002)

Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Invictus poster
Leans Progressive
7.4
Invictus
 (2009)

Political: Center
Diversity: High
The Imitation Game poster
Leans Progressive
8.0
The Imitation Game
 (2014)

Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Torch Song Trilogy poster
Progressive
7.6
Torch Song Trilogy
 (1988)

Political: Strong Left
Diversity: High
LGBTQ: Positive
20,000 Leagues Under the Sea poster
Center
7.4
20,000 Leagues Under the Sea
 (1916)

Political: Leans Left
Diversity: Low
Diary of a Mad Housewife poster
Leans Progressive
7.1
Diary of a Mad Housewife
 (1970)

Political: Leans Left
Diversity: Moderate
Good Night, and Good Luck. poster
Leans Progressive
7.9
Good Night, and Good Luck.
 (2005)

Political: Strong Left
Diversity: Low
King Kong poster
Leans Progressive
7.6
King Kong
 (2005)

Political: Strong Left
Diversity: Moderate
Fried Green Tomatoes poster
Progressive
7.3
Fried Green Tomatoes
 (1991)

Political: Leans Left
Diversity: High
LGBTQ: Positive
Show Boat poster
Progressive
7.1
Show Boat
 (1951)

Political: Leans Left
Diversity: High
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com