4.5
Viewer Rating
Combines user and critic ratings from four sources
Gone with the Pope (2010)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 4.5
Overview
"Gone With The Pope" was filmed entirely in 1976, but left unedited with large amounts of what was believed to be lost footage until 2010 due to Duke Mitchell's untimely death. Duke Mitchell stars as Paul, a gangster who's just been released from prison and is offered 100,000 dollars from the mafia to take out seven men. He reluctantly agrees, in order to give himself and his friends a better, clean life outside of prison, but he can't seem to leave his old ways behind, resulting in a plot to kidnap the Pope for a ransom of fifty cents from every Catholic in the world.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Negative
Overview
"Gone With The Pope" was filmed entirely in 1976, but left unedited with large amounts of what was believed to be lost footage until 2010 due to Duke Mitchell's untimely death. Duke Mitchell stars as Paul, a gangster who's just been released from prison and is offered 100,000 dollars from the mafia to take out seven men. He reluctantly agrees, in order to give himself and his friends a better, clean life outside of prison, but he can't seem to leave his old ways behind, resulting in a plot to kidnap the Pope for a ransom of fifty cents from every Catholic in the world.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's narrative centers on a highly individualistic and bizarre crime plot involving a hitman's plan to kidnap the Pope, without engaging in discernible political commentary or promoting any specific ideological viewpoint. Its focus is on character eccentricity and surreal events rather than societal issues or political solutions.
This 1960s crime film features traditional casting with a predominantly white ensemble, consistent with the era's typical production practices. Its narrative focuses on the crime plot without explicitly critiquing or negatively portraying traditional identities, nor does it center on explicit DEI themes.
Secondary
The film, a comedy centered on the kidnapping of the Pope, satirizes the institution of the Catholic Church. It portrays church figures and bureaucracy in a comedic, often foolish or inept light, highlighting perceived absurdities rather than affirming its virtues or dignity. The narrative's humor derives from the institution's perceived flaws, aligning with a critical stance.
Based on available plot summaries and critical analyses, "Gone with the Pope" (1968) does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a hitman's mission to assassinate the Pope, with no elements related to queer identity or experiences.
The film "Gone with the Pope" does not feature any identifiable transsexual characters or themes. Its plot is entirely focused on a crime narrative involving the kidnapping of the Pope by a group of hitmen, with no elements pertaining to gender identity or transgender experiences.
The movie does not contain any action or adventure elements.
The film "Gone with the Pope" is an original crime-comedy from footage shot in the 1960s. It is not an adaptation of a known source material with established characters, nor a biopic of a specific historical figure. Therefore, no characters undergo a gender swap.
The film "Gone with the Pope" (2010) is an original production, not an adaptation of existing material or a biopic of historical figures. Its characters do not have established canonical or historical racial identities from prior sources, thus precluding a race swap.
Viewer Rating Breakdown
User Ratings
6.2
5.1
Critic Ratings
6.7
N/A
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