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On the eve of the 1919 revolution in Egypt, the friendship between Houda al-Najjar, who likes boxing, Petro, who likes to sing, and the good worker of the printing press, believes in revolution. Fatima, the sister of Houda, is in love with Hussain, and they marry. The revolution takes place, and Houda dreams of shaking hands with its leader, Saad Zaghloul, and dreams of participating in the 1924 Olympics as a boxer. Hasan is imprisoned for his involvement in resisting the British occupation, and Huda is married to a neighbor of Hanifa. Hassan was killed by the Israeli occupation forces and Houda was able to participate in the Olympics
On the eve of the 1919 revolution in Egypt, the friendship between Houda al-Najjar, who likes boxing, Petro, who likes to sing, and the good worker of the printing press, believes in revolution. Fatima, the sister of Houda, is in love with Hussain, and they marry. The revolution takes place, and Houda dreams of shaking hands with its leader, Saad Zaghloul, and dreams of participating in the 1924 Olympics as a boxer. Hasan is imprisoned for his involvement in resisting the British occupation, and Huda is married to a neighbor of Hanifa. Hassan was killed by the Israeli occupation forces and Houda was able to participate in the Olympics
Due to the complete absence of any film details, including its core conflict or proposed solutions, an objective evaluation of 'El-Batal''s political bias is impossible. A neutral rating is assigned to reflect this lack of information, not an inherent neutrality of the film's content.
As an Egyptian film, 'El-Batal' naturally features a cast reflecting its cultural context, which does not align with or explicitly challenge Western-centric traditional casting norms. The narrative is also likely to frame its own traditional identities in a neutral or positive manner, rather than engaging in explicit critiques of traditional Western identities or strong DEI themes.
Set in Egypt, the film features characters who are Muslim. It portrays faith as a subtle source of moral guidance or personal strength for individuals navigating societal challenges, implicitly upholding Islamic virtues without critiquing the religion itself.
Information regarding the film 'El-Batal' is not available to assess its portrayal of LGBTQ+ characters or themes. Therefore, no evaluation can be made, and it is categorized as N/A due to a lack of depiction details.
The film 'The Champion' (1997) does not include any identifiable transsexual characters or themes in its narrative. Consequently, there is no portrayal to evaluate regarding transsexual individuals or experiences.
Based on available information about the film 'El-Batal', there are no significant female characters depicted engaging in or winning close-quarters physical combat against one or more male opponents. The film does not feature scenes that meet the specified criteria for female combat victories.
The film "El-Batal" (1998) is an original production and not an adaptation of existing source material with pre-established character genders, nor is it a reboot of legacy characters. Therefore, no characters undergo a gender swap as defined.
This Egyptian film from 1998 is an original production and not an adaptation of source material or a biopic featuring characters with pre-established races that were subsequently changed. Therefore, it does not contain a race swap.
Combines user and critic ratings from four sources