Leans Traditional
7.3
Love Live! The School Idol Movie
(2015)
Political: Center
Diversity: Low
Bringing Up Husbands (1959)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
Three wives launch a sex strike to put their domineering husbands in their place!
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
Overview
Three wives launch a sex strike to put their domineering husbands in their place!
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central conflict revolves around a wife "training" her husband to meet traditional marital and social expectations. The solution championed by the narrative is the wife's proactive guidance to ensure conformity to these established norms, aligning with themes of tradition and social order.
This 1939 Japanese film features casting that reflects its cultural origin, with an entirely Japanese ensemble. The narrative focuses on domestic themes and does not engage in critical portrayals of traditional identities or explicit DEI critiques as defined by contemporary Western standards.
Secondary
The film 'Bringing Up Husbands' does not include any identifiable LGBTQ+ characters or themes. Its narrative centers on the domestic lives and relationships of heterosexual couples, offering no portrayal of queer identity or experiences.
The 1959 film 'Bringing Up Husbands' does not feature any identifiable transsexual characters or themes. Its narrative centers on women discussing their husbands' infidelities and marital dynamics, making the concept of transsexual portrayal inapplicable to this specific movie.
The movie does not contain any action or adventure elements.
Bringing Up Husbands (1959) is an original film production, not an adaptation of existing source material or a biopic. The characters were created specifically for this movie, thus lacking any prior canonical gender to be swapped from.
This 1959 Japanese film features a Japanese cast portraying characters consistent with their cultural and historical context. There is no indication of any character being canonically, historically, or widely established as a different race in source material or prior adaptations.
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