Leans Traditional
8.9
The Passion of Joan of Arc
(1928)
Political: Center
Diversity: Low
Martyrdom of Louis XVII (1908)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Not Rated
Overview
This richly colored picture revives an interesting incident in French history and shows us some of the famous events connected with the overthrow of the power of Louis XVI and Marie Antoinette. (MPW Vol.4 Num.16)
Starring Cast
Bias Dimensions
Political: Strong Right
Diversity: Low
Christianity: Positive
Overview
This richly colored picture revives an interesting incident in French history and shows us some of the famous events connected with the overthrow of the power of Louis XVI and Marie Antoinette. (MPW Vol.4 Num.16)
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central thesis, as indicated by its title "Martyrdom of Louis XVII," explicitly promotes a conservative ideology by framing the death of the monarchical heir as a tragic sacrifice, thereby condemning revolutionary upheaval and implicitly valuing traditional authority.
The film, based on the historical figure Louis XVII, is presumed to feature traditional casting consistent with its historical setting. The narrative is expected to focus on historical events without explicitly critiquing traditional identities or emphasizing DEI themes.
Secondary
The film's title, 'Martyrdom of Louis XVII,' frames the suffering of the young king within a Christian context, implying a sympathetic and respectful portrayal of his plight. This narrative approach aligns with the dignity of faith, positioning the audience to view his suffering as a form of religious sacrifice.
The film 'Martyrdom of Louis XVII' focuses on the historical events surrounding the imprisonment and death of Louis XVII during the French Revolution. There are no identifiable LGBTQ+ characters or themes present within its narrative.
The film 'Martyrdom of Louis XVII' is a historical drama centered on the French monarchy. There are no identifiable transsexual characters or themes present within the narrative, leading to a determination of N/A for its portrayal.
The movie does not contain any action or adventure elements.
The film depicts the historical figure Louis XVII, who was canonically male. There is no evidence or historical record to suggest that this 1908 film portrayed him as a different gender.
Louis XVII was a historical European figure, canonically white. Given the historical context of 1908 filmmaking, it is highly improbable that he would have been portrayed by an actor of a different race. There is no evidence to suggest a race swap occurred.
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