Viewer Rating
Combines user and critic ratings from four sources
Two high school girls are best friends until one dates the other's older brother, who is totally his sister's nemesis.
Two high school girls are best friends until one dates the other's older brother, who is totally his sister's nemesis.
The film's focus on individual psychological development, interpersonal relationships, and self-acceptance, rather than systemic critiques or ideological promotion, positions it as politically neutral.
The film features visible diversity through a prominent Asian supporting character, but its main cast largely reflects traditional demographics. The narrative explores universal coming-of-age themes without explicitly critiquing traditional identities or making DEI a central focus.
The film features Erwin Kim, a gay supporting character, whose identity is presented incidentally. His sexuality is a natural part of his character, shown through an unrequited crush, but it is not central to the narrative. The portrayal is respectful, avoiding stereotypes or negative framing, resulting in a neutral overall impact on LGBTQ+ themes.
The film "The Edge of Seventeen" does not feature any identifiable transsexual characters or themes. The narrative focuses on the coming-of-age experiences of its cisgender protagonist, Nadine, and her relationships with friends and family, without engaging with transgender identity or related issues.
The movie does not contain any action or adventure elements.
The Edge of Seventeen is an original film with characters created specifically for this production. There are no pre-existing source materials, historical figures, or legacy characters whose gender could have been altered.
The Edge of Seventeen is an original film with no prior source material, historical figures, or established characters. All characters were created for this specific movie, meaning there are no pre-existing racial depictions to be altered.
Combines user and critic ratings from four sources