Leans Traditional
7.8
Good Bye, Lenin!
(2003)
Political: Center
Diversity: Low
Hedda Gabler (1980)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Hedda Gabler, the spoiled daughter of a general, marries the staid scholar Tesman in the hope that he will develop into an important personality. But Hedda is an eccentric woman and her expectations of life are insatiable. She has no sympathy for her husband's work and quickly becomes bored in her petty bourgeois circumstances. Then Ejlert Lövberg, a colleague of her husband's, returns to the city he left because of his dissolute lifestyle. They have known each other since those days, but Hedda feared a scandal if she had returned his passionate love. Ejlert is rehabilitated thanks to Thea, the woman at his side. But Hedda's love for him reawakens and, driven by her nature to determine the fate of other people, she drives Ejlert to disaster.
Starring Cast
Bias Dimensions
Political: Leans Left
Diversity: Low
Overview
Hedda Gabler, the spoiled daughter of a general, marries the staid scholar Tesman in the hope that he will develop into an important personality. But Hedda is an eccentric woman and her expectations of life are insatiable. She has no sympathy for her husband's work and quickly becomes bored in her petty bourgeois circumstances. Then Ejlert Lövberg, a colleague of her husband's, returns to the city he left because of his dissolute lifestyle. They have known each other since those days, but Hedda feared a scandal if she had returned his passionate love. Ejlert is rehabilitated thanks to Thea, the woman at his side. But Hedda's love for him reawakens and, driven by her nature to determine the fate of other people, she drives Ejlert to disaster.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film is left-leaning due to its central critique of rigid societal expectations and patriarchal structures that stifle women's agency, leading to the protagonist's tragic destruction.
This production of 'Hedda Gabler' is presumed to feature traditional casting, consistent with the play's 19th-century European setting and characters. The narrative, while exploring societal pressures and gender roles, does not explicitly critique traditional identities in a modern DEI context.
Secondary
The film 'Hedda Gabler' (1978) does not include any discernible LGBTQ+ characters, relationships, or themes. Its narrative focuses on the psychological struggles of its titular female protagonist within a heteronormative societal context, resulting in no portrayal of queer identity.
The film "Hedda Gabler" (1978) does not feature any identifiable transsexual characters or themes. The narrative focuses on the psychological drama of its titular character within 19th-century societal constraints, without engaging with transgender identity.
The movie does not contain any action or adventure elements.
The 1980 film adaptation of Henrik Ibsen's play "Hedda Gabler" maintains the original genders for all its established characters. No character canonically or historically male or female is portrayed as a different gender in this production.
The 1980 German television adaptation of Henrik Ibsen's play "Hedda Gabler" features a cast of white actors portraying characters who were canonically white in the original Norwegian source material. No instances of a race swap are present.
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