3.8
Viewer Rating
Combines user and critic ratings from four sources
Rope (1947)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 3.8
Overview
Two young men strangle their "inferior" classmate, hide his body in their apartment, and invite his friends and family to a dinner party as a means to challenge the "perfection" of their crime.
Starring Cast
Bias Dimensions
Political: Leans Right
Diversity: Low
LGBTQ: Negative
Overview
Two young men strangle their "inferior" classmate, hide his body in their apartment, and invite his friends and family to a dinner party as a means to challenge the "perfection" of their crime.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's dominant themes align with conservative values through its strong condemnation of amoral individualism and its defense of traditional morality, justice, and accountability.
Based on the provided title and director, and without specific details on casting or narrative changes for this particular version, the film is assessed as featuring traditional casting. The narrative is understood to focus on individual moral and philosophical themes rather than explicitly critiquing traditional identities or centering on modern DEI themes.
Secondary
The film 'Rope' implicitly links the queer-coded relationship between its two murderous protagonists to their intellectual arrogance and cold-blooded villainy. This portrayal associates non-normative identity with pathology and results in a punitive outcome, offering no positive counter-balance or critique within the narrative.
The film "Rope" (2012) does not feature any identifiable transsexual characters or themes. Its plot focuses on a young man discovering a secret about his girlfriend, unrelated to transgender identity. Therefore, the film has no net impact on the portrayal of transsexual individuals.
The movie does not contain any action or adventure elements.
The film "Rope" (1947) is an adaptation of Patrick Hamilton's 1929 play. All significant characters in the film maintain the same gender as established in the original source material. No characters were portrayed as a different gender than their canonical or historically established gender.
The 1947 film "Rope" is an adaptation of Patrick Hamilton's 1929 play, which features characters who were canonically and historically white. The film portrays these characters with white actors, consistent with the source material and historical context. No instances of a race swap are present.
Viewer Rating Breakdown
User Ratings
7.5
N/A
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
8.4
2001: A Space Odyssey
(1968)
Political: Center
Diversity: Low
Center
8.3
Harry Potter and the Prisoner of Azkaban
(2004)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
7.3
Stage Fright
(1950)
Political: Center
Diversity: Low
Leans Traditional
6.9
On Her Majesty's Secret Service
(1969)
Political: Center
Diversity: Low
Leans Traditional
8.3
Life of Brian
(1979)
Political: Center
Diversity: Low
Leans Traditional
7.5
Harry Potter and the Philosopher's Stone
(2001)
Political: Center
Diversity: Low
Leans Traditional
8.9
The Third Man
(1949)
Political: Center
Diversity: Low
Traditional
8.4
Goldfinger
(1964)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.2
Pride & Prejudice
(2005)
Political: Center
Diversity: Low
Leans Traditional
8.7
The Father
(2020)
Political: Center
Diversity: Low
Leans Traditional
7.4
Dream Horse
(2021)
Political: Center
Diversity: Low
Leans Traditional
7.4
Notting Hill
(1999)
Political: Center
Diversity: Low
Leans Traditional
7.0
Bridget Jones's Diary
(2001)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.9
Dr. No
(1962)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Labyrinth
(1986)
Political: Center
Diversity: Low
Leans Traditional
7.5
Finding Neverland
(2004)
Political: Center
Diversity: Low
Traditional
7.6
Notes on a Scandal
(2006)
Political: Center
Diversity: Low
LGBTQ: Negative
Traditional
8.1
From Russia with Love
(1963)
Political: Center
Diversity: Low
LGBTQ: Negative
Traditional
7.1
Thunderball
(1965)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
The Spy Who Loved Me
(1977)
Political: Center
Diversity: Low