Viewer Rating
Combines user and critic ratings from four sources
After a chance encounter, headstrong Kathy is drawn to Benny, member of Midwestern motorcycle club the Vandals. As the club transforms into a dangerous underworld of violence, Benny must choose between Kathy and his loyalty to the club.
After a chance encounter, headstrong Kathy is drawn to Benny, member of Midwestern motorcycle club the Vandals. As the club transforms into a dangerous underworld of violence, Benny must choose between Kathy and his loyalty to the club.
The film provides a nuanced social commentary on the evolution of a motorcycle club, exploring themes of masculinity, belonging, and the dangerous transformation from camaraderie to violent extremism, without overt partisan messaging or championing a specific political solution.
The film features a predominantly white, male cast, reflecting the historical context of the 1960s motorcycle club it portrays, without emphasizing racial or LGBTQ+ diversity. While the narrative explores themes of masculinity, alienation, and radicalization within this subculture, it does not explicitly critique traditional identities through a DEI lens.
The Bikeriders does not feature any identifiable LGBTQ+ characters or themes. The film's narrative centers on a 1960s motorcycle club, focusing on male bonding, violence, and heterosexual relationships within a hyper-masculine subculture, with no mention or exploration of queer identities.
The Bikeriders does not include transsexual characters or themes within its narrative. The film focuses on a motorcycle club's dynamics, masculinity, and interpersonal relationships, without engaging with transgender identities or issues.
The movie does not contain any action or adventure elements.
The film's narrative is anchored by a female character, Kathy, but the provided information explicitly states that the movie does not alter the gender of principal characters from its source material, nor is there any indication of gender-swapping for main characters.
The film is set in the 1960s and depicts a motorcycle club predominantly composed of white working-class men, reflecting historical context and source material. There is no evidence of any character, historical or fictional, being portrayed by an actor of a different race than their established or historically implied race.
Combines user and critic ratings from four sources