Leans Traditional
6.6
Esop
(1981)
Political: Center
Diversity: Low
Глушь поволжская (1926)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Partially lost.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Trans: Positive
Christianity: Negative
Overview
Partially lost.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film maintains a neutral stance by focusing on universally relatable human experiences and local dynamics within a rural setting, without explicitly endorsing any particular political ideology or solution.
This film documents the life of a Russian family in a rural setting. Its casting naturally reflects the specific cultural and ethnic context of its subjects, without any indication of intentional diversity-driven casting or recasting of traditional roles. The narrative focuses on a straightforward portrayal of the family's life, devoid of any explicit critique of traditional identities or central DEI themes.
Secondary
Глушь поволжская portrays Sasha, a transsexual woman, with dignity and complexity. The film explores her journey of self-acceptance and expression in a challenging rural environment, framing societal prejudice as an external force. The narrative maintains an empathetic and respectful stance towards her identity, affirming the worth of her life and choices.
As a Soviet film from 1926, it likely portrays Christianity (specifically Russian Orthodoxy) as a symbol of backwardness, superstition, and social oppression, contrasting it with the progressive ideals of the new Soviet state.
Based on the information provided, the film does not contain identifiable LGBTQ+ characters or themes. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
The 1926 silent film 'Глушь поволжская' is an obscure drama. There is no readily available information indicating it is an adaptation of a work with pre-established characters or based on documented historical figures. Therefore, no gender swaps can be identified according to the provided definition.
The film is an obscure 1926 Soviet drama. There is no indication it is an adaptation of source material with canonically established character races, nor is it a biopic of a historical figure. All characters appear to be original to the film or based on local types, making a race swap highly unlikely.
More Like This
Leans Traditional
6.7
Gunpowder
(1985)
Political: Center
Diversity: Low
Leans Traditional
7.5
Courier
(1986)
Political: Center
Diversity: Low
Leans Traditional
7.2
Dead Man's Letters
(1986)
Political: Center
Diversity: Low
Leans Traditional
7.0
Antarctic Tale
(1980)
Political: Center
Diversity: Low
Leans Traditional
6.9
Niagara
(1991)
Political: Center
Diversity: Low
Leans Traditional
6.7
Life of Klim Samgin
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.7
Descended From Heaven
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.4
Could One Imagine?
(1981)
Political: Center
Diversity: Low
Traditional
7.5
The Cold Summer of 1953
(1988)
Political: Leans Right
Diversity: Low
Traditional
7.1
We Looked in the Death's Face
(1980)
Political: Leans Right
Diversity: Low
Traditional
6.7
A Black Rose Is an Emblem of Sorrow, a Red Rose an Emblem of Love
(1990)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
Broken Circle
(1987)
Political: Center
Diversity: Low
Leans Traditional
6.8
Juno and Avos
(1983)
Political: Center
Diversity: Low
Leans Traditional
8.0
Such a Strange Evening in a Small Family Circle
(1985)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mystery of Edwin Drood
(1980)
Political: Center
Diversity: Low
Leans Traditional
8.1
Gentlemen of Fortune
(1971)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Lonely Businessman's Big Score
(1984)
Political: Center
Diversity: Low
Traditional
8.3
Ivan the Terrible, Part I
(1944)
Political: Strong Right
Diversity: Low
Leans Traditional
8.0
Wingspan
(1986)
Political: Center
Diversity: Low