5.4
Viewer Rating
Combines user and critic ratings from four sources
Step Up All In (2014)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 5.4
Overview
All-stars from the previous Step Up installments come together in glittering Las Vegas, battling for a victory that could define their dreams and their careers.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
All-stars from the previous Step Up installments come together in glittering Las Vegas, battling for a victory that could define their dreams and their careers.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film focuses on apolitical themes of artistic expression, teamwork, and the pursuit of dreams within a competitive environment, offering no explicit promotion or critique of specific political ideologies. Its central conflict and resolution are personal and professional, not political.
The movie features a visibly diverse cast, reflecting the global nature of dance, without explicitly recasting traditionally white roles. Its narrative focuses on competition and personal growth, maintaining a neutral or positive framing of traditional identities rather than offering critique.
Secondary
Step Up All In does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on heterosexual romance and dance, resulting in no portrayal of queer identity, thus earning an N/A rating.
The film 'Step Up All In' does not feature any identifiable transsexual characters or explore related themes within its narrative. Consequently, there is no portrayal to evaluate regarding transsexual identity or experiences.
The movie does not contain any action or adventure elements.
This film is a sequel that brings back established characters from previous installments of the 'Step Up' series. All returning characters maintain their original, canonically established gender, and no new portrayals alter the gender of any prior character.
This film is a sequel in an established franchise. Key returning characters maintain their original racial portrayals from previous installments, and no new characters are introduced as race-swapped versions of existing canon. Therefore, no race swaps are identified.
Viewer Rating Breakdown
User Ratings
5.9
6.8
Critic Ratings
4.3
4.5
More Like This
Leans Progressive
6.7
Nick and Norah's Infinite Playlist
(2008)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Leans Traditional
7.3
Young Man with a Horn
(1950)
Political: Center
Diversity: Low
Progressive
7.4
Saturday Church
(2018)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Progressive
8.1
Cabaret
(1972)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Traditional
7.6
The Sound of Music
(1965)
Political: Leans Right
Diversity: Low
Center
6.7
Impromptu
(1991)
Political: Leans Left
Diversity: Low
Leans Traditional
7.7
Walk the Line
(2005)
Political: Center
Diversity: Low
Leans Traditional
6.8
Deception
(1946)
Political: Center
Diversity: Low
Center
6.9
Porgy and Bess
(1959)
Political: Center
Diversity: Moderate
Progressive
7.3
Kiss of the Spider Woman
(2025)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Center
6.8
Drumline
(2002)
Political: Center
Diversity: Moderate
Leans Traditional
7.9
Maytime
(1937)
Political: Center
Diversity: Low
Progressive
7.1
Show Boat
(1951)
Political: Leans Left
Diversity: High
Leans Traditional
6.7
The Great Ziegfeld
(1936)
Political: Center
Diversity: Low
Leans Progressive
6.7
Yentl
(1983)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.3
Moulin Rouge!
(2001)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Center
7.0
Dirty Dancing
(1987)
Political: Leans Left
Diversity: Low
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low
Center
6.9
The Rose
(1979)
Political: Center
Diversity: Low
LGBTQ: Positive
Traditional
7.5
Tender Mercies
(1983)
Political: Leans Right
Diversity: Low