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Ceremonies for the beatification of the foundress of the Sisters of Charity, Mother Marguerite d'Youville. The first Canadian to ascend the altar, Mother d'Youville was the object of national celebrations highlighted by a triduum of thanksgiving at the Temple of the Canadian Martyrs in Rome.
Ceremonies for the beatification of the foundress of the Sisters of Charity, Mother Marguerite d'Youville. The first Canadian to ascend the altar, Mother d'Youville was the object of national celebrations highlighted by a triduum of thanksgiving at the Temple of the Canadian Martyrs in Rome.
The film's central subject, the beatification of Mother d'Youville, is a celebration of a traditional religious process and the virtues recognized by the Catholic Church, aligning its dominant themes with conservative values of faith, tradition, and institutional authority.
This historical film about the beatification of Mother d'Youville features traditional casting that aligns with the historical ethnicity of its subjects. The narrative focuses on the life and spiritual journey of the nun, presenting traditional identities in a neutral or positive light without incorporating explicit critiques or central DEI themes.
The film is a hagiographic account celebrating the beatification of Mother d'Youville, a Catholic nun. It portrays her life, virtues, and the Catholic Church's recognition of her sanctity with deep respect and affirmation, aligning the narrative with the dignity and positive aspects of the faith.
This biographical film about Marie-Marguerite d'Youville, an 18th-century nun, focuses entirely on her religious devotion and the establishment of the Grey Nuns. The narrative does not include any identifiable LGBTQ+ characters or themes, resulting in no depiction.
This historical biographical film, focusing on the life and beatification of the Catholic saint Mother d'Youville, does not feature any identifiable transsexual characters or themes. The narrative is entirely centered on its religious and historical subject matter, offering no content relevant to the portrayal of transsexual identity.
The movie does not contain any action or adventure elements.
The film depicts the historical figure Marie-Marguerite d'Youville, who was unequivocally female. There is no indication that the 1959 production altered her gender or that of any other established historical character.
The film depicts the historical figure Marie-Marguerite d'Youville, a French-Canadian woman. There is no indication or historical record suggesting that the 1959 production portrayed her or any other historically white character as a different race.
Combines user and critic ratings from four sources