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Combines user and critic ratings from four sources
A string of violent robberies in the Pacific Northwest leads veteran FBI agent Terry Husk into a white supremacist plot to overthrow the federal government.
A string of violent robberies in the Pacific Northwest leads veteran FBI agent Terry Husk into a white supremacist plot to overthrow the federal government.
The film's central thesis explicitly critiques and condemns far-right white nationalism, racial supremacy, and domestic terrorism, framing these ideologies as a dangerous and persistent societal threat with contemporary relevance. This critical examination and warning align directly with progressive ideological concerns.
The movie critically examines white supremacist extremism and racial violence, explicitly portraying white nationalist groups as villains. It centers on the dangers of racial hatred and anti-Semitism, making a strong socio-political commentary on these issues. The film also features a prominent minority character in law enforcement actively working to dismantle the extremist group, reflecting intentional diversity in its heroic roles.
The film depicts Christianity as a distorted ideology, appropriated by a white supremacist group to justify hatred, violence, and hypocrisy. The narrative focuses on this perversion without offering a counterbalancing positive portrayal of the faith.
The film depicts Judaism and its adherents as targets of severe antisemitic violence and rhetoric by white supremacists, positioning the audience to condemn the bigotry and sympathize with the victims of hate.
The Order (2024) focuses on themes of racism, extremism, and domestic terrorism within a white supremacist group. Based on available information, the film does not feature any identifiable LGBTQ+ characters or themes, nor does it explore LGBTQ+ identities or issues within its narrative.
Based on current public information and available plot details for 'The Order' (2024), there is no indication of identifiable transsexual characters or themes within the film's narrative. Therefore, no specific portrayal can be evaluated.
The movie does not contain any action or adventure elements.
The film's main characters, based on historical figures or canonical representations, are portrayed with genders consistent with their established real-life or source material counterparts, with no reported changes.
The film 'The Order' portrays historical figures and a setting consistent with the documented racial backgrounds of the real-life individuals and the 1980s Pacific Northwest. All major characters are cast with actors whose race aligns with their historical or established profiles, including the portrayal of Jewish American Alan Berg by a Jewish-American actor. No instances of race swapping are identified.
Combines user and critic ratings from four sources