Viewer Rating
Combines user and critic ratings from four sources
These small girls are ready to make it big! All 12 or younger and under 149 centimeters tall (4'11"), these aspiring pop idols dream of performing for thousands of people. But with zero experience, they've got a lot of work to do! With the help of their rookie producer, who's almost just as short, can they stay focused and make it to the top?
These small girls are ready to make it big! All 12 or younger and under 149 centimeters tall (4'11"), these aspiring pop idols dream of performing for thousands of people. But with zero experience, they've got a lot of work to do! With the help of their rookie producer, who's almost just as short, can they stay focused and make it to the top?
The film primarily focuses on character development and the idol industry, with implicit themes of child welfare, community support, and personal empowerment leaning progressive, balanced by reflections of neoliberal consumer culture, resulting in an overall neutral political stance.
The movie primarily features a specific demographic of young Japanese female idols, which limits broader diversity in its casting. However, its narrative explores themes of age-based equity and inclusion, focusing on the challenges and empowerment of young girls within the entertainment industry, without negatively portraying traditional identities.
THE IDOLM@STER CINDERELLA GIRLS U149 centers on the professional and personal growth of young idols. The series does not feature any explicit LGBTQ+ characters, themes, relationships, or subtext, maintaining a focus on childhood, ambition, and the entertainment industry without venturing into topics of sexuality or gender identity.
THE IDOLM@STER CINDERELLA GIRLS U149 does not feature any transsexual characters or themes. The narrative centers on cisgender girls aspiring to be idols, with no discussion of gender identity or representation of the transsexual community. Therefore, the portrayal is categorized as N/A.
The movie does not contain any action or adventure elements.
The show portrays all main and supporting characters, who are female idols, with on-screen genders consistent with their established canonical genders from the original manga and related media. There are no instances where a character's gender differs from their source material.
The anime adaptation maintains consistency with its Japanese source material and setting. Characters, primarily Japanese idols, are depicted with ethnic and phenotypical authenticity relative to their established origins, indicating no instances of race swapping.
Combines user and critic ratings from four sources