5.1
Viewer Rating
Combines user and critic ratings from four sources
Chantal in Fairyland (2024)
Bias Rating
Analyzing...
Progressive
Viewer Rating
Rating: 5.1
Overview
Chantal is at the beginning of her career as an influencer when she steps through a mirror and finds herself in a fairy tale. She identifies as Sleeping Beauty. Her best friend Zeynep follows her through the mirror. Chantal’s goal, naturally, is to find a man, definitely a prince. Perhaps she will marry Prince Bosco. She already has a wedding gown, but he seems more interested in men. Her friend, Aladdin (Mido Kotaini), has a magic lamp; he rubs it, and people appear. She works to finish making a flying carpet. There is a wicked witch, Sansara, who sometimes looks old but often young. Her friend Zeynep ends up in a grave but reappears. An elderly rather fat fairy pops up occasionally. Chantal must fight a dragon.
Starring Cast
Bias Dimensions
Political: Leans Left
Diversity: High
LGBTQ: Positive
Overview
Chantal is at the beginning of her career as an influencer when she steps through a mirror and finds herself in a fairy tale. She identifies as Sleeping Beauty. Her best friend Zeynep follows her through the mirror. Chantal’s goal, naturally, is to find a man, definitely a prince. Perhaps she will marry Prince Bosco. She already has a wedding gown, but he seems more interested in men. Her friend, Aladdin (Mido Kotaini), has a magic lamp; he rubs it, and people appear. She works to finish making a flying carpet. There is a wicked witch, Sansara, who sometimes looks old but often young. Her friend Zeynep ends up in a grave but reappears. An elderly rather fat fairy pops up occasionally. Chantal must fight a dragon.
Starring Cast
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film leans left by championing female empowerment and LGBTQ+ inclusion through its protagonists' fight against tyrannical forces, subtly critiquing traditional power structures and societal norms.
The film actively promotes diversity and inclusion through its casting of characters from various ethnic backgrounds and its explicit LGBTQ+ representation, notably with Prince Bosco challenging traditional heteronormativity. The narrative further reinforces these themes by centering on female empowerment and challenging conventional gender roles within a fairy tale context.
Secondary
The film "Chantal in Fairyland" offers a positive portrayal of LGBTQ+ characters through Prince Bosco, who challenges traditional romance tropes by being interested in men. This inclusion reflects a modern, nuanced approach to sexuality, contributing to broader visibility and normalization of diverse identities within mainstream fantasy cinema.
Chantal in Fairyland does not feature any transsexual characters or themes within its narrative. The film focuses on a fantasy adventure with an influencer in a fairy tale world, without engaging with trans identities or related issues, resulting in no depiction.
The movie does not contain any action or adventure elements.
The provided information explicitly states there is no direct evidence of gender-swapping in "Chantal in Fairyland." The film focuses on a new, empowered female protagonist challenging stereotypes, rather than altering the gender of pre-existing canonical characters.
The film appears to feature original characters or new interpretations without prior established racial identities. While it includes a diverse cast, there is no indication that any character was canonically, historically, or widely established as one race and then portrayed as a different race.
Viewer Rating Breakdown
User Ratings
4.6
5.6
Critic Ratings
N/A
N/A
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