6.8
Viewer Rating
Combines user and critic ratings from four sources
Babygirl (2024)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Rating: 6.8
Overview
A high-powered CEO puts her career and family on the line when she begins a torrid affair with her much younger intern.
Starring Cast
Where to watch
Bias Dimensions
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Overview
A high-powered CEO puts her career and family on the line when she begins a torrid affair with her much younger intern.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's dominant themes align with progressive values by foregrounding female empowerment through sexual liberation and challenging traditional societal norms around desire and power, positioning itself as a feminist reimagining of the erotic thriller.
The film adopts a traditional approach to character representation, centering on a heterosexual relationship without explicit mention of racial diversity or non-traditional casting. However, its narrative strongly engages with DEI themes by explicitly subverting the traditional male gaze and challenging societal norms regarding women's sexuality and power, positioning female desire and empowerment as central to its story.
Secondary
Babygirl features a lesbian character, Isabel, whose experiences are depicted as normal and less stigmatized compared to the film's central heterosexual affair. The movie avoids stereotypes and moralizing, presenting queer identity with nuance and agency. It thoughtfully integrates LGBTQ+ representation, portraying it as a natural part of the social landscape.
Babygirl (2024) does not depict transsexual characters or themes within its narrative. The film centers on a cisgender woman's exploration of sexual liberation, power dynamics, and personal growth, primarily through a BDSM-oriented affair. Its scope does not include the transsexual community or identity.
The movie does not contain any action or adventure elements.
The film "Babygirl" introduces original characters to explore gender dynamics and power structures, explicitly stating it inverts conventional gender power structures rather than swapping genders of characters. It does not adapt pre-existing characters or historical figures with altered genders.
Based on the provided information, "Babygirl" is not an adaptation, biopic, or reboot with pre-established characters. There is no evidence of any character being portrayed by an actor of a different race than their canonical or historical depiction.
Viewer Rating Breakdown
User Ratings
5.8
5.7
Critic Ratings
7.6
7.9
More Like This
Leans Progressive
7.3
Moulin Rouge!
(2001)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.1
Frida
(2002)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
6.7
Yentl
(1983)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.0
Antwone Fisher
(2002)
Political: Leans Left
Diversity: Moderate
Progressive
7.4
Saturday Church
(2018)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Progressive
6.5
All of You
(2025)
Political: Leans Left
Diversity: Moderate
Progressive
7.6
Torch Song Trilogy
(1988)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Leans Progressive
6.7
Romeo + Juliet
(1996)
Political: Center
Diversity: High
Progressive
8.2
Brokeback Mountain
(2005)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.9
Broken Blossoms or The Yellow Man and the Girl
(1919)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.2
Coming Home
(1978)
Political: Strong Left
Diversity: Low
Leans Progressive
6.7
I Love You Phillip Morris
(2010)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Progressive
6.7
Bombshell
(2019)
Political: Leans Left
Diversity: High
LGBTQ: Neutral
Leans Progressive
9.0
Modern Times
(1936)
Political: Strong Left
Diversity: Low
Leans Progressive
7.6
Love & Basketball
(2000)
Political: Leans Left
Diversity: Moderate
Progressive
7.3
Monster's Ball
(2001)
Political: Leans Left
Diversity: High
Leans Progressive
6.7
Chocolat
(2000)
Political: Leans Left
Diversity: Moderate
Progressive
7.5
Children of a Lesser God
(1986)
Political: Leans Left
Diversity: High
Progressive
6.7
Spirit: Stallion of the Cimarron
(2002)
Political: Strong Left
Diversity: High
Progressive
7.2
Guess Who's Coming to Dinner
(1967)
Political: Leans Left
Diversity: High