Viewer Rating
Combines user and critic ratings from four sources
Washed-up revolutionary Bob exists in a state of stoned paranoia, surviving off-grid with his spirited, self-reliant daughter, Willa. When his evil nemesis resurfaces after 16 years and she goes missing, the former radical scrambles to find her, father and daughter both battling the consequences of his past.
Washed-up revolutionary Bob exists in a state of stoned paranoia, surviving off-grid with his spirited, self-reliant daughter, Willa. When his evil nemesis resurfaces after 16 years and she goes missing, the former radical scrambles to find her, father and daughter both battling the consequences of his past.
The film explicitly promotes a left-wing, anti-fascist ideology by portraying a militant revolutionary group fighting against entrenched white supremacist and authoritarian power structures, making its core conflict and championed solution decisively left-leaning.
The film incorporates significant diversity through its casting, featuring a racially diverse ensemble with prominent roles for Black actresses, including a central Black female revolutionary leader. Its narrative explicitly addresses contemporary social justice issues such as systemic oppression, immigration rights, and racial justice, critiquing established power structures.
The film portrays LGBTQ+ characters and themes with a mix of complexity and problematic elements. It includes mockery of a trans-coded character and an antagonist who embodies negative stereotypes about the LGBTQ community. The overall tone is ambivalent and satirical, resulting in a portrayal that is not deeply respectful or empowering.
The film features multiple female characters, including Willa, Deandra, and Avanti Q, who engage in and win close-quarters physical confrontations against male opponents. Their victories involve hand-to-hand combat, martial arts, and tactical engagements.
Based on the provided information, there is no available data to evaluate the portrayal of transsexual characters or themes in "One Battle After Another." The film's content regarding trans representation remains unknown, precluding any assessment of its net impact.
Based on available information, no characters in 'One Battle After Another' are portrayed with a gender differing from their established canonical gender in the source novel, *Vineland*.
The provided information indicates that the casting for major characters aligns with their established ethnicities in the source material or character backgrounds. No significant discrepancies or instances of characters established as one race being portrayed as another are evident.
Combines user and critic ratings from four sources