Viewer Rating
Combines user and critic ratings from four sources
Agnes feels stuck. Unlike her best friend, Lydie, who’s moved to New York and is now expecting a baby, Agnes still lives in the New England house they once shared as graduate students, now working as a professor at her alma mater. A ‘bad thing’ happened to Agnes a few years ago and, since then, despite her best efforts, life hasn’t gotten back on track.
Agnes feels stuck. Unlike her best friend, Lydie, who’s moved to New York and is now expecting a baby, Agnes still lives in the New England house they once shared as graduate students, now working as a professor at her alma mater. A ‘bad thing’ happened to Agnes a few years ago and, since then, despite her best efforts, life hasn’t gotten back on track.
The film is left-leaning due to its central critique of institutional failures and power imbalances in supporting sexual assault survivors, coupled with its strong emphasis on female empowerment and significant, normalized LGBTQ+ representation, aligning with progressive values.
Sorry, Baby demonstrates significant DEI through its central focus on female empowerment and strong, integral LGBTQ+ representation, including a protagonist played by an actor using they/she pronouns and a key lesbian character. The narrative explicitly critiques institutional failures, power imbalances, and systemic sexism, highlighting the challenges faced by survivors within these structures.
Sorry, Baby offers a strong, positive portrayal of LGBTQ+ characters and themes. It features a protagonist and her lesbian best friend, exploring queer identities with sensitivity and normalizing their experiences. The film's authentic and integral LGBTQ+ representation affirms the worth of queer lives within its narrative of trauma and healing.
Sorry, Baby focuses on the aftermath of sexual assault and the complexities of healing through friendship. Despite the director being non-binary and queer themes being present, the film does not feature transsexual characters or directly engage with transsexual identity or community experiences.
The movie does not contain any action or adventure elements.
Sorry, Baby is an original film and not an adaptation of existing material. All characters, including the protagonist Agnes, are new creations for this film, thus precluding any gender swap from prior canon or history.
Sorry, Baby is an original film and Eva Victor's directorial debut. The characters, including protagonist Agnes, are new creations for this movie, meaning there is no prior source material or historical baseline for their race to be swapped from.
Combines user and critic ratings from four sources