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Combines user and critic ratings from four sources
Mid-forties Franziska is pregnant. Instead of looking forward to it, her husband Andreas opens up that he separates from her because he can no longer endure her neurotic control rage. As much as Franziska always wanted a child, as a single parent she sees no perspective. But then she meets the pregnant, 19-year-old Lilli. The funky woman whirls Franziska strictly regulated everyday life together and shows her how wonderful life can be, if you allow it
Mid-forties Franziska is pregnant. Instead of looking forward to it, her husband Andreas opens up that he separates from her because he can no longer endure her neurotic control rage. As much as Franziska always wanted a child, as a single parent she sees no perspective. But then she meets the pregnant, 19-year-old Lilli. The funky woman whirls Franziska strictly regulated everyday life together and shows her how wonderful life can be, if you allow it
The film focuses on the apolitical themes of personal growth, career change, and finding purpose through individual initiative and new relationships, consciously balancing potential progressive and conservative interpretations without explicitly promoting either ideology.
The movie features a predominantly white German cast, consistent with traditional casting for its genre. Its narrative focuses on personal relationships and self-discovery, without explicitly critiquing traditional identities or centering on DEI themes.
The film positively portrays LGBTQ+ themes through Alex, a gay supporting character. His identity is presented with dignity, showing him as a supportive friend in a stable same-sex relationship, free from negative stereotypes or conflict related to his sexuality. The overall depiction is affirming and normalizing.
The film portrays a Christian pilgrimage as a journey of self-discovery and human connection, rather than a strict theological exploration. The priest character is depicted sympathetically, and the religious practice is treated with respect as a valid path for personal growth and community building.
The film 'Kleine Schiffe' does not appear to feature any identifiable transsexual characters or themes within its narrative. Consequently, there is no portrayal to evaluate, resulting in an N/A determination.
The movie does not contain any action or adventure elements.
Kleine Schiffe is a German TV movie that features original characters. There is no indication it is an adaptation of a prior work with established characters or a biopic of historical figures. Therefore, no gender swaps are identified.
This German TV movie is an adaptation of a contemporary novel. There is no indication that any character was canonically or widely established as a specific race in the source material that was then changed for the film.
Combines user and critic ratings from four sources