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Combines user and critic ratings from four sources
Security guard Paul Blart is headed to Las Vegas to attend a Security Guard Expo with his teenage daughter Maya before she departs for college. While at the convention, he inadvertently discovers a heist - and it's up to Blart to apprehend the criminals.
Security guard Paul Blart is headed to Las Vegas to attend a Security Guard Expo with his teenage daughter Maya before she departs for college. While at the convention, he inadvertently discovers a heist - and it's up to Blart to apprehend the criminals.
The film's central conflict, an ordinary individual foiling a sophisticated heist, champions individual responsibility and the upholding of order through personal duty, aligning more with conservative values of individual action than systemic critique.
The movie features visible diversity in its supporting cast, though it does not appear to engage in explicit race or gender swaps of traditionally white roles. The narrative maintains a neutral to positive portrayal of traditional identities, without centralizing explicit DEI themes or critiques.
Paul Blart: Mall Cop 2 does not feature any identifiable LGBTQ+ characters or themes. The film's plot focuses on a security guard's adventures at a convention, with no elements related to queer identity present for evaluation.
Paul Blart: Mall Cop 2 does not feature any identifiable transsexual characters or themes. The film's narrative focuses on Paul Blart's adventures at a security guard convention, with no elements related to transgender identity present in the plot or character development.
The film features Maya Blart, who engages in a physical confrontation with a male antagonist, Vincent. While she uses martial arts to defend herself, she does not achieve a clear victory over him in direct physical combat. No other female characters are depicted defeating male opponents in close-quarters physical contests.
This film is a direct sequel featuring the same established characters, Paul Blart and Maya Blart, who maintain their original genders. All other characters are new creations for this installment and thus have no prior canonical gender to be swapped from.
This film is a sequel to an original movie series. No returning characters from the first installment had their race changed, and new characters do not qualify as race swaps. Therefore, no race swaps are present.
Combines user and critic ratings from four sources