7.2
Viewer Rating
Combines user and critic ratings from four sources
The Stage (2025)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Rating: 7.2
Overview
During the Republican era, wars and conflicts were frequent. On stage, the "Overlord" sings with resounding passion, while below, the absurd spectacle of life unfolds. They must both secure the opera troupe's livelihood and appease the audience in their seats. Once the curtain rises, how should this play be performed?
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Moderate
Overview
During the Republican era, wars and conflicts were frequent. On stage, the "Overlord" sings with resounding passion, while below, the absurd spectacle of life unfolds. They must both secure the opera troupe's livelihood and appease the audience in their seats. Once the curtain rises, how should this play be performed?
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly critiques authoritarianism, government censorship, and oppressive power dynamics, championing artistic resistance and integrity against state control, which are core tenets of progressive ideology.
The film features a diverse cast of characters within its specific cultural setting. Its narrative subtly critiques outdated gender stereotypes through humor, reflecting a tension between traditional social norms and modern sensibilities.
Secondary
Based on current information and reviews, 'The Stage' (2025) does not appear to feature identifiable LGBTQ+ characters or themes. The narrative centers on political satire and social dynamics in a specific historical context, with no indication of LGBTQ+ representation being a central or even minimal aspect of its story.
Based on available information, there is no evidence of a film titled 'The Stage' (2025) directed by Peisi Chen. Consequently, no assessment can be made regarding its portrayal of transsexual characters or themes.
The movie does not contain any action or adventure elements.
The film portrays traditional Chinese opera roles, including female 'dan' characters, which were historically played by male actors. However, the film respects these roles as cultural portrayals, and there is no indication that any character's established gender from source material or history has been changed.
The film is set in early 20th century China with all characters and cast explicitly stated to be Chinese, authentically reflecting the historical and cultural context. There is no indication of any character being established as a different race in prior canon or history, nor any portrayal that deviates from their established Chinese ethnicity.
Viewer Rating Breakdown
User Ratings
7.4
7.1
Critic Ratings
N/A
N/A
More Like This
Leans Progressive
7.2
Yolo
(2024)
Political: Center
Diversity: High
Female Combat: Yes
Leans Progressive
7.3
Johnny Keep Walking!
(2023)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.3
Journey to the West
(2023)
Political: Strong Left
Diversity: Moderate
Leans Progressive
7.0
Black Snow
(1990)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.3
The Mermaid
(2016)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.9
A Beautiful Day in the Neighborhood
(2019)
Political: Center
Diversity: High
Progressive
8.2
Ju Dou
(1990)
Political: Leans Left
Diversity: High
Center
7.8
We Girls
(2025)
Political: Leans Right
Diversity: High
Leans Progressive
8.1
Blind Shaft
(2003)
Political: Strong Left
Diversity: Moderate
Leans Progressive
7.4
The Message
(2009)
Political: Leans Left
Diversity: Moderate
Progressive
7.5
Big World
(2024)
Political: Leans Left
Diversity: High
Leans Progressive
6.8
My Love
(2021)
Political: Strong Left
Diversity: Moderate
Leans Progressive
6.8
The Xi'an Incident
(1981)
Political: Leans Left
Diversity: Moderate
Center
7.5
A Writer's Odyssey
(2021)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
6.9
All These Years
(2023)
Political: Center
Diversity: High
Leans Progressive
7.8
Ip Man 2
(2010)
Political: Leans Left
Diversity: Moderate
Progressive
7.1
Only the River Flows
(2023)
Political: Leans Left
Diversity: High
LGBTQ: Neutral
Leans Progressive
6.8
Curse of the Golden Flower
(2006)
Political: Center
Diversity: High
Leans Progressive
8.4
Better Days
(2019)
Political: Leans Left
Diversity: Moderate
Progressive
8.4
Farewell My Concubine
(1993)
Political: Center
Diversity: High
LGBTQ: Positive