Viewer Rating
Combines user and critic ratings from four sources
The film explores universal themes of individual moral agency, ethical dilemmas, and personal loyalty amidst political conspiracies, focusing on character and ambiguity rather than promoting a specific political ideology.
The film features a strong female lead navigating a male-dominated profession, foregrounding themes of female empowerment and addressing misogyny. It also includes visible racial and ethnic diversity among its supporting characters, reflecting contemporary expectations for representation.
The film portrays a male assassin forcibly undergoing gender reassignment as a revenge plot device. The narrative focuses on the character's profound distress, disbelief, and rejection of their new female body, emphasizing trauma and conflict. This depiction is considered problematic, using transsexual identity as a source of misery and sensationalism rather than authentic exploration or affirmation.
The film portrays Christianity through a devout character, Amy, and explores themes of faith and moral struggle. While an extremist antagonist blames Christianity for his suffering, the narrative frames this as part of his problematic worldview and the inter-religious conflict, rather than validating his critique.
The film depicts the antagonist, Ahmed, as a devout Muslim whose faith, though firm, directly motivates his extremist actions and desire to violently alter religious history. This portrayal links Islam to extremism without significant counterbalancing positive nuance within the narrative.
The film 'Assassin' (2025) does not feature any identifiable LGBTQ+ characters or themes within its storyline or character development. Available information indicates a focus on crime and action, with no explicit portrayal or thematic exploration of the LGBTQ+ community.
Information regarding specific combat scenes for the movie 'Assassin' (2025) directed by Jiuqin Zhou is not available in the provided data. Therefore, it is not possible to determine if it contains scenes where female characters defeat male opponents in physical combat.
Available information indicates no characters in the 2025 film *Assassin* have an on-screen gender that differs from their established gender in source material or historical records.
The film's casting aligns with its 1932 Shanghai setting, featuring East Asian actors for Chinese and Japanese characters, consistent with their established ethnicity and historical context. No characters established as one race are portrayed by actors of a different race.
Combines user and critic ratings from four sources