6.9
Viewer Rating
Combines user and critic ratings from four sources
Goodbye Mr. Loser (2015)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 6.9
Overview
A middle-aged loser travels back in time to his high scool years to put his life on the right track.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Low
LGBTQ: Negative
Trans: Negative
Overview
A middle-aged loser travels back in time to his high scool years to put his life on the right track.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film explores universal themes of personal regret and the pursuit of happiness, ultimately championing the appreciation of genuine relationships and individual responsibility over superficial fame and wealth, without aligning with a specific political ideology.
The movie features a cast that is traditional for its Chinese cultural context, without explicit DEI-driven casting or intentional race/gender swaps of dominant roles. The narrative focuses on a male protagonist's personal journey, framing traditional identities neutrally to positively, and does not incorporate explicit DEI themes as central to its story.
Secondary
The film features Meng Te, an effeminate character whose perceived queer identity and unrequited crush are consistently used as a source of comedic ridicule. This portrayal relies on harmful stereotypes, presenting the character as an object of mockery rather than with dignity or complexity, resulting in a net negative impact on LGBTQ+ representation.
The film features a character, Meng Te/Meng Tejiao, whose trans identity is used for comedic effect. In the past, the character is bullied for effeminacy. In the future, her transition is a 'twist' that elicits shock and disgust from the protagonist, framing her identity as a source of humor rather than affirming it with dignity or exploring her experience.
The movie does not contain any action or adventure elements.
The film "Goodbye Mr. Loser" is an adaptation of a stage play by the same creators. All major characters retain their established genders from the original source material, with no instances of a character canonically established as one gender being portrayed as a different gender on screen.
This film is an original Chinese production based on a Chinese stage play. Its characters were created within this context and do not have prior canonical or historical racial portrayals that differ from their depiction in the film.
Viewer Rating Breakdown
User Ratings
6.7
7.0
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
7.3
Full River Red
(2023)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.8
If You Are the One
(2008)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.4
White Snake: Afloat
(2024)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.2
Phantom Thread
(2017)
Political: Center
Diversity: Low
Leans Traditional
7.0
Lust, Caution
(2007)
Political: Center
Diversity: Low
Leans Traditional
8.1
Hibiscus Town
(1987)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.6
Nice View
(2022)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.9
Lost on Journey
(2010)
Political: Center
Diversity: Low
Leans Traditional
7.3
I Am What I Am
(2021)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.8
The Rules of the Game
(1939)
Political: Center
Diversity: Low
Leans Traditional
7.4
Meet the Parents
(2000)
Political: Center
Diversity: Low
Leans Traditional
7.4
A Good Marriage
(1982)
Political: Center
Diversity: Low
Leans Traditional
7.9
Big
(1988)
Political: Center
Diversity: Low
Leans Traditional
7.1
Sleepless in Seattle
(1993)
Political: Center
Diversity: Low
Traditional
8.2
Forrest Gump
(1994)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Where the Boys Are
(1960)
Political: Center
Diversity: Low
Leans Traditional
8.0
A New Leaf
(1971)
Political: Center
Diversity: Low
Traditional
7.6
Risky Business
(1983)
Political: Leans Right
Diversity: Low
Leans Traditional
8.4
Sideways
(2004)
Political: Center
Diversity: Low
Leans Traditional
6.7
My Big Fat Greek Wedding
(2002)
Political: Center
Diversity: Low