Leans Traditional
7.8
The Magical Portrait
(1997)
Political: Center
Diversity: Low
Obsession (1994)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Based on the short story “Natalie” by Ivan Bunin. The story has been adapted to a contemporary setting. In search of romantic adventure, a first-year university student visits a country house owned by acquaintances — and falls in love with two girlfriends at the same time.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Based on the short story “Natalie” by Ivan Bunin. The story has been adapted to a contemporary setting. In search of romantic adventure, a first-year university student visits a country house owned by acquaintances — and falls in love with two girlfriends at the same time.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Based on the absence of specific plot details or thematic information, the film is assessed as neutral, as no discernible political bias or ideological stance can be determined.
The movie is assessed as featuring traditional casting, consistent with its likely regional origin, and does not appear to incorporate explicit DEI-driven narrative elements or critiques of traditional identities, based on the limited information provided.
Secondary
Based on available plot summaries and character descriptions for 'Navazhdeniye' (2004) directed by Igor Talpa, there are no identifiable LGBTQ+ characters or themes present in the film. Therefore, the net impact on LGBTQ+ portrayal is N/A.
The film 'Obsession' (1994) does not feature any identifiable transsexual characters or themes within its narrative. The plot focuses on a love triangle and its dramatic consequences, without engaging with transgender identity or experiences.
The movie does not contain any action or adventure elements.
This film appears to be an original story or an adaptation without widely established characters from prior canon or history. There is no evidence of characters whose gender was pre-defined in source material being portrayed as a different gender on screen.
There is no widely established source material, prior installment, or historical record for the characters in "Navazhdeniye" (1994) that would define their race before this film's production. Therefore, no character could have been portrayed as a different race than previously established.
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