3.9
Viewer Rating
Combines user and critic ratings from four sources
Битва за Севастополь (1944)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 3.9
Bias Dimensions
Political: Center
Diversity: Low
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film balances themes of national heroism and sacrifice with a strong anti-war message and a focus on a woman breaking gender barriers, resulting in a narrative that appeals across ideological lines.
The film "Battle for Sevastopol" is a historical war drama whose casting accurately reflects its World War II Eastern Front setting, without incorporating intentional race or gender swaps for diversity. Its narrative focuses on the biographical story of a female sniper, celebrating heroism and historical events, rather than critiquing traditional identities or centering explicit DEI themes.
Secondary
The film 'Битва за Севастополь' is a historical war drama depicting the life of Lyudmila Pavlichenko, a Soviet sniper. The narrative focuses on her experiences in WWII, her personal relationships with male comrades, and the psychological toll of war, without featuring any identifiable LGBTQ+ characters or themes.
The film "Битва за Севастополь" is a historical war drama centered on the life of Soviet sniper Lyudmila Pavlichenko during World War II. The narrative does not include any identifiable transsexual characters or themes, resulting in no depiction to evaluate.
The movie does not contain any action or adventure elements.
This 1944 film is a documentary about the Siege of Sevastopol during World War II. As a historical documentary, it features real events and real people, rather than fictional characters or dramatized portrayals of historical figures that could be subject to gender swaps.
This is a 1944 Soviet documentary film depicting the historical Siege of Sevastopol. Documentaries primarily feature real historical figures and events, making the concept of a 'race swap' as defined for fictional adaptations or biopics inapplicable.
Viewer Rating Breakdown
User Ratings
7.7
N/A
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
6.7
Descended From Heaven
(1987)
Political: Center
Diversity: Low
Leans Traditional
6.7
Gunpowder
(1985)
Political: Center
Diversity: Low
Traditional
7.1
We Looked in the Death's Face
(1980)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Do Not Leave...
(1989)
Political: Center
Diversity: Low
Traditional
7.2
Our Dad Mayonnaise
(1986)
Political: Leans Right
Diversity: Low
Leans Traditional
7.4
Could One Imagine?
(1981)
Political: Center
Diversity: Low
Traditional
8.3
Ivan the Terrible, Part I
(1944)
Political: Strong Right
Diversity: Low
Leans Traditional
8.7
Stalker
(1979)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Lonely Businessman's Big Score
(1984)
Political: Center
Diversity: Low
Leans Traditional
6.7
Three Blue-Blue Lakes of Crimson Color
(1981)
Political: Center
Diversity: Low
Leans Traditional
6.7
The Black Castle Olshansky
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mystery of Edwin Drood
(1980)
Political: Center
Diversity: Low
Leans Traditional
8.1
Gentlemen of Fortune
(1971)
Political: Center
Diversity: Low
Leans Traditional
6.8
Be My Husband
(1981)
Political: Center
Diversity: Low
Leans Traditional
6.7
Esop
(1981)
Political: Center
Diversity: Low
Leans Traditional
6.9
The Story of the Voyages
(1983)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Days of a Man
(1989)
Political: Center
Diversity: Low
Leans Traditional
6.7
Mirror for a Hero
(1987)
Political: Center
Diversity: Low
Leans Traditional
6.7
Life of Klim Samgin
(1986)
Political: Center
Diversity: Low
Traditional
6.8
A Black Rose Is an Emblem of Sorrow, a Red Rose an Emblem of Love
(1990)
Political: Leans Right
Diversity: Low