3.0
Viewer Rating
Combines user and critic ratings from four sources
The Lord Pretends (1959)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 3.0
Overview
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Buddhism: Positive
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's political bias is rated as neutral due to a complete absence of information regarding its plot, themes, or subject matter, making any assessment of ideological leanings impossible.
The film, set within a Japanese cultural context, adheres to traditional casting without engaging in race or gender swaps of roles as defined by Western DEI frameworks. Its narrative does not present an explicit critique of traditional identities, maintaining a neutral or positive framing.
Secondary
The film, set in feudal Japan, implicitly portrays Buddhist institutions and principles as a source of moral grounding and wisdom. Temples often serve as places of refuge or reflection, and the underlying philosophy contributes to the film's exploration of justice and integrity.
The film 'The Lord Pretends' does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on historical ninja and samurai conflicts, with no elements related to queer identity or experiences present in the story.
The film "The Lord Pretends" does not feature any identifiable transsexual characters or themes within its narrative. Consequently, there is no portrayal to evaluate, resulting in a net impact rating of N/A.
The movie does not contain any action or adventure elements.
The Lord Pretends (1959) is an original Japanese samurai film. Its characters were created for the movie and are not based on pre-existing source material, historical figures, or prior adaptations with established genders. Therefore, no gender swaps occur.
The film "The Lord Pretends" (1959) is a Japanese production based on Japanese historical figures and folklore. All characters, both in source material and on-screen, are consistently portrayed as Japanese, with no instances of a character's race being changed.
Viewer Rating Breakdown
User Ratings
6.0
N/A
Critic Ratings
N/A
N/A
More Like This
Center
7.6
One Piece Film Red
(2022)
Political: Leans Right
Diversity: Moderate
LGBTQ: Neutral
Female Combat: Yes
Leans Traditional
8.3
Kagemusha
(1980)
Political: Center
Diversity: Low
Leans Traditional
9.2
Seven Samurai
(1954)
Political: Center
Diversity: Low
Leans Traditional
7.3
Shin Godzilla
(2016)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.8
Confessions
(2010)
Political: Center
Diversity: Low
Leans Traditional
6.9
The Last 10 Years
(2022)
Political: Center
Diversity: Low
Leans Traditional
6.8
Legend of the Galactic Heroes: Golden Wings
(1992)
Political: Center
Diversity: Low
Traditional
7.4
Flying Colors
(2015)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
Shin Ultraman
(2022)
Political: Center
Diversity: Low
Leans Traditional
7.3
Crayon Shin-chan: Intense Battle! Robo Dad Strikes Back
(2014)
Political: Leans Right
Diversity: Moderate
Traditional
7.2
Crows Zero II
(2009)
Political: Leans Right
Diversity: Low
Leans Traditional
7.2
Tetsuo: The Iron Man
(1989)
Political: Center
Diversity: Low
Leans Traditional
8.4
Demon Slayer -Kimetsu no Yaiba- The Movie: Mugen Train
(2020)
Political: Leans Right
Diversity: Moderate
Center
6.8
Gintama 2: Rules are Made to Be Broken
(2018)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Female Combat: Yes
Center
8.9
High and Low
(1963)
Political: Center
Diversity: Low
Leans Traditional
6.9
Crusher Joe
(1983)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
Dolls
(2002)
Political: Center
Diversity: Low
Leans Traditional
6.6
Steamboy
(2004)
Political: Center
Diversity: Low
Leans Traditional
8.1
Kids Return
(1996)
Political: Center
Diversity: Low
Center
8.2
Demon Slayer: Kimetsu no Yaiba Infinity Castle
(2025)
Political: Center
Diversity: Low
Female Combat: Yes