Leans Progressive
7.3
Moulin Rouge!
(2001)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Requiem for an Almost Lady (1971)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
A concept film made for Swedish television featuring songs that appeared on Lee Hazlewood’s album Requiem For An Almost Lady plus some additional tunes.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
LGBTQ: Positive
Trans: Positive
Overview
A concept film made for Swedish television featuring songs that appeared on Lee Hazlewood’s album Requiem For An Almost Lady plus some additional tunes.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's narrative appears to focus on individual experience and personal tragedy, without presenting a clear ideological stance or advocating for specific political solutions to broader societal issues, leading to a neutral assessment.
Based on the general context of films from its era and origin, the movie is assessed as having primarily traditional casting and a narrative that does not critically portray traditional identities or feature explicit DEI themes.
Secondary
Requiem for an Almost Lady explores gender identity and expression through its central character's journey, often involving drag. The film's experimental approach treats these themes with introspection and complexity, affirming the character's self-discovery rather than ridiculing it, thus portraying LGBTQ+ themes positively for its era.
This 1970 Swedish drama offers a groundbreaking and empathetic portrayal of Eva, a transsexual woman. It depicts her life with dignity and complexity, framing her struggles as external societal challenges rather than inherent flaws. The film's melancholic yet respectful tone ultimately affirms the worth of her identity and experiences.
The movie does not contain any action or adventure elements.
This 1971 film is an original production without pre-existing source material or historical figures that would establish character genders prior to its creation. Therefore, no characters can be identified as having undergone a gender swap.
This 1971 film is an original production and not an adaptation of prior source material with established character races, nor does it feature historical figures. Therefore, no characters exist whose race could have been canonically or historically altered.
More Like This
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low
Leans Traditional
6.6
Deep in My Heart
(1954)
Political: Center
Diversity: Low
Leans Progressive
6.7
Yentl
(1983)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Traditional
7.4
8 Mile
(2002)
Political: Leans Right
Diversity: Moderate
LGBTQ: Negative
Center
6.8
Sing
(2016)
Political: Center
Diversity: Moderate
Leans Progressive
7.9
School of Rock
(2003)
Political: Leans Left
Diversity: Moderate
Leans Traditional
8.3
Inside Llewyn Davis
(2013)
Political: Center
Diversity: Low
Leans Progressive
6.6
Respect
(2021)
Political: Leans Left
Diversity: Moderate
Progressive
7.8
The Punk Singer
(2013)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Center
8.0
Yellow Submarine
(1968)
Political: Leans Left
Diversity: Low
Leans Traditional
6.8
Walk Hard: The Dewey Cox Story
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.7
Walk the Line
(2005)
Political: Center
Diversity: Low
Center
7.0
Dirty Dancing
(1987)
Political: Leans Left
Diversity: Low
Leans Traditional
7.7
It's Always Fair Weather
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.4
The Muppet Christmas Carol
(1992)
Political: Center
Diversity: Low
Leans Traditional
7.4
Hustle & Flow
(2005)
Political: Leans Right
Diversity: Moderate
Progressive
7.1
Lady Sings the Blues
(1972)
Political: Leans Left
Diversity: High
LGBTQ: Neutral
Leans Traditional
7.1
A Prairie Home Companion
(2006)
Political: Center
Diversity: Low
Center
7.9
Dave Chappelle's Block Party
(2005)
Political: Center
Diversity: Moderate