Viewer Rating
Combines user and critic ratings from four sources
Set against the turbulent backdrop of 1870s Montana, in the moments before the execution of Isaac Broadway, he gives his estranged son, Henry, an impossible task: murder the man who framed him for a crime he didn’t commit. Intent on fulfilling his promise, Henry travels to the remote town of Trinity, where an unexpected turn of events traps him in town and leaves him caught between Gabriel Dove, the town’s upstanding new sheriff, and a mysterious figure named St. Christopher.
Set against the turbulent backdrop of 1870s Montana, in the moments before the execution of Isaac Broadway, he gives his estranged son, Henry, an impossible task: murder the man who framed him for a crime he didn’t commit. Intent on fulfilling his promise, Henry travels to the remote town of Trinity, where an unexpected turn of events traps him in town and leaves him caught between Gabriel Dove, the town’s upstanding new sheriff, and a mysterious figure named St. Christopher.
The film explores universal themes of justice, corruption, and moral ambiguity within a politically unstable frontier setting, focusing on the complexities of maintaining order and the cycle of violence without explicitly championing a specific ideological solution or critique.
The movie incorporates visible racial diversity through characters like a Blackfoot woman and a former slave. Its narrative addresses racial tensions and the struggles of marginalized groups, offering a subtle critique of societal dynamics without explicitly recasting traditional roles or portraying traditional identities as villains.
The film depicts Christian adherence as problematic, showcasing "moral struggles" and "contradictions" through characters like the ambiguous priest, St. Christopher. It emphasizes a disconnect between religious ideals and the flawed actions of its practitioners, suggesting few truly live by godly principles.
The Unholy Trinity focuses on traditional Western themes of revenge and justice. Available information indicates a complete absence of LGBTQ+ characters or themes, suggesting no representation or related social issues are addressed within the film's narrative.
Based on the provided information, there is no available data to evaluate the portrayal of transsexual characters or themes in 'The Unholy Trinity'. Consequently, no assessment of positive, negative, or neutral impact can be made.
The provided information highlights Running Cub as a strong, active female character central to the plot. However, it does not describe any specific scenes where she or any other female character defeats one or more male opponents in direct physical combat.
The provided information explicitly states there is no indication of gender-swapped characters. Main characters like Henry Broadway, Sheriff Gabriel Dove, and St. Christopher are portrayed as male, consistent with typical characterizations, and no gender swapping is noted for any roles.
The film introduces original characters, such as St. Christopher and Running Cub, whose racial identities are integral to its unique narrative set in 19th-century Montana. There is no indication these characters were established with a different race in prior source material or history.
Combines user and critic ratings from four sources