MovieBias
See all results for ""
BrowseAnalyticsAbout

The Black Phone (2022)

Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 7.3
The Black Phone poster

Overview

Finney Blake, a shy but clever 13-year-old boy, is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of little use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney.


Starring Cast


Where to watch

Peacock logoPeacock
Apple TV logoApple TV
Google Play logoGoogle Play
Powered byJustWatch

Bias Dimensions

Political: Leans Right
Diversity: Low
Christianity: Positive

Overview

Finney Blake, a shy but clever 13-year-old boy, is abducted by a sadistic killer and trapped in a soundproof basement where screaming is of little use. When a disconnected phone on the wall begins to ring, Finney discovers that he can hear the voices of the killer’s previous victims. And they are dead set on making sure that what happened to them doesn’t happen to Finney.


Starring Cast


Where to watch

Peacock logoPeacock
Apple TV logoApple TV
Google Play logoGoogle Play
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Traditional

Primary

The film's primary focus on individual resilience, the strength of familial bonds, and the necessity of personal action (including self-defense and a form of vigilante justice) in the face of a predatory threat and institutional shortcomings, aligns with right-leaning values.

The movie features traditional casting without explicit race or gender swaps of established roles. Its narrative focuses on individual characters and horror elements, rather than offering a critique of traditional identities or centering on explicit DEI themes.

Secondary

The film portrays genuine Christian faith through Gwen as a source of strength, hope, and even supernatural guidance, which is instrumental in the plot. While her father represents a hypocritical and abusive individual who misuses religious language, the narrative clearly distinguishes his failings from the positive aspects of faith, affirming the latter.

The Black Phone does not feature any explicit LGBTQ+ characters or themes. The narrative centers on a child abductor and the supernatural efforts to escape him, with no discernible queer representation or subtext present in the story.

The film "The Black Phone" does not feature any identifiable transsexual characters or themes. The narrative focuses on a child abductor and the supernatural experiences of his victims and their families, with no elements related to transgender identity.

The movie does not contain any action or adventure elements.

The film "The Black Phone" is an adaptation of Joe Hill's short story. All major characters, including Finney, Gwen, and The Grabber, maintain the same gender as established in the original source material. No characters canonically or historically established as one gender are portrayed as a different gender in the film.

The film adapts a short story where character races were not explicitly defined for all roles. The casting choices for characters like Robin Arellano and Bruce Yamada align with the implied ethnicity of their names, rather than changing an established race from the source material. No race swaps occurred.


Viewer Rating Breakdown

7.3

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
6.9
The Movie Database logo
7.6

Critic Ratings

Rotten Tomatoes logo
8.1
Metacritic logo
6.5

More Like This

Hush... Hush, Sweet Charlotte poster
Leans Traditional
7.7
Hush... Hush, Sweet Charlotte
 (1964)
Political: Center
Diversity: Low
Pearl poster
Leans Traditional
7.8
Pearl
 (2022)
Political: Center
Diversity: Low
Terrifier 2 poster
Leans Traditional
6.8
Terrifier 2
 (2022)
Political: Center
Diversity: Low
Sleepy Hollow poster
Leans Traditional
7.0
Sleepy Hollow
 (1999)
Political: Center
Diversity: Low
Sisters poster
Leans Traditional
7.3
Sisters
 (1973)
Political: Center
Diversity: Low
Sinister poster
Leans Traditional
6.3
Sinister
 (2012)
Political: Center
Diversity: Low
Halloween poster
Leans Traditional
8.5
Halloween
 (1978)
Political: Center
Diversity: Low
The Most Dangerous Game poster
Center
8.0
The Most Dangerous Game
 (1932)
Political: Center
Diversity: Low
The Lost Boys poster
Leans Traditional
7.0
The Lost Boys
 (1987)
Political: Center
Diversity: Low
Inland Empire poster
Leans Traditional
7.1
Inland Empire
 (2006)
Political: Center
Diversity: Low
Before the Devil Knows You're Dead poster
Traditional
8.0
Before the Devil Knows You're Dead
 (2007)
Political: Center
Diversity: Low
LGBTQ: Negative
Wait Until Dark poster
Leans Traditional
8.2
Wait Until Dark
 (1967)
Political: Center
Diversity: Low
The Spiral Staircase poster
Leans Traditional
7.6
The Spiral Staircase
 (1946)
Political: Center
Diversity: Low
Black Swan poster
Leans Traditional
8.0
Black Swan
 (2010)
Political: Center
Diversity: Low
LGBTQ: Neutral
Invasion of the Body Snatchers poster
Leans Traditional
8.5
Invasion of the Body Snatchers
 (1956)
Political: Center
Diversity: Low
The Omen poster
Traditional
7.4
The Omen
 (1976)
Political: Leans Right
Diversity: Low
Psycho poster
Traditional
9.1
Psycho
 (1960)
Political: Center
Diversity: Low
LGBTQ: Negative
Dressed to Kill poster
Traditional
7.4
Dressed to Kill
 (1980)
Political: Center
Diversity: Low
LGBTQ: Negative
Jaws poster
Leans Traditional
8.5
Jaws
 (1975)
Political: Center
Diversity: Low
The Conjuring poster
Traditional
7.6
The Conjuring
 (2013)
Political: Leans Right
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com