6.3
Viewer Rating
Combines user and critic ratings from four sources
Pecados Ajenos (2007)
Pecados Ajenos (2007)
Overview
A new story of love is born out of two destroyed marriages. Natalia is trying to escape a marriage full of abuse and humiliation. Her alcoholic husband, Rogelio, takes over her wealth and keeps her under his control in order to keep possession of her money. Her mother-in-law, Agata, cannot wait to get rid of her and implements a plan to turn her daughter-in-law into a fugitive. On the other hand, Adrian is trapped in a loveless union. Even though he was in love when he got married, the psychotic jealousy of his wife turns him into a prisoner of an oppressive marriage. When Natalia and Adrian meet, they realize that they are true soulmates.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Center
Diversity: Moderate
LGBTQ: Positive
Christianity: Positive
Viewer Rating
6.3
Overview
A new story of love is born out of two destroyed marriages. Natalia is trying to escape a marriage full of abuse and humiliation. Her alcoholic husband, Rogelio, takes over her wealth and keeps her under his control in order to keep possession of her money. Her mother-in-law, Agata, cannot wait to get rid of her and implements a plan to turn her daughter-in-law into a fugitive. On the other hand, Adrian is trapped in a loveless union. Even though he was in love when he got married, the psychotic jealousy of his wife turns him into a prisoner of an oppressive marriage. When Natalia and Adrian meet, they realize that they are true soulmates.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central subject matter, focusing on moral dilemmas, personal relationships, and the consequences of past actions, is largely apolitical. Its narrative explores universal themes of sin, forgiveness, and redemption without explicitly promoting a specific political ideology or advocating for systemic change.
The movie features a diverse cast, consistent with its Latin American telenovela genre, without explicitly recasting traditionally white roles. Its narrative centers on dramatic interpersonal relationships and does not explicitly critique traditional identities or prioritize DEI themes.
Secondary
The telenovela features a significant storyline involving Natalia, a lesbian character, and her love for Gloria. While they face severe homophobic prejudice from Natalia's mother, the narrative consistently frames this prejudice as negative. The show portrays their love as genuine and ultimately affirms their relationship despite the obstacles, resulting in a net positive portrayal.
The telenovela's title, 'Pecados Ajenos' (Sins of Others), directly references a core Christian concept of sin and its consequences. The narrative frequently explores themes of morality, forgiveness, redemption, and divine justice, often through characters' struggles with faith and their adherence to Christian values. The overall narrative framework tends to affirm the virtues and dignity of Christian teachings.
The telenovela 'Pecados Ajenos' does not feature any identifiable transsexual characters or themes. Its narrative focuses on traditional telenovela elements of romance, drama, and family secrets, with no depiction of transgender identity.
Pecados Ajenos is a telenovela primarily focused on drama and romance. The series does not feature significant action sequences or instances where female characters engage in and win close-quarters physical combat against male opponents.
Pecados Ajenos is an original telenovela, not an adaptation of pre-existing source material with established characters or a reboot of a prior series. Therefore, its characters are original to the show and cannot be considered gender-swapped.
Pecados Ajenos is an original telenovela production. Its characters were created for this specific series, meaning there is no prior source material or historical basis to establish a canonical race for any character that could then be "swapped."
Viewer Rating Breakdown
User Ratings
5.9
6.7
Critic Ratings
N/A
N/A
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