6.0
Viewer Rating
Combines user and critic ratings from four sources
Pride and Prejudice (1952)
Pride and Prejudice (1952)
Overview
In early 19th century England, Mr and Mrs Bennet's five unmarried daughters vie for the affections of rich and eligible Mr Bingley and his status-conscious friend, Mr Darcy, who have moved into their neighbourhood. While Bingley takes an immediate liking to eldest daughter Jane, Darcy has difficulty adapting to local society and repeatedly clashes with second-eldest Elizabeth.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Viewer Rating
6.0
Overview
In early 19th century England, Mr and Mrs Bennet's five unmarried daughters vie for the affections of rich and eligible Mr Bingley and his status-conscious friend, Mr Darcy, who have moved into their neighbourhood. While Bingley takes an immediate liking to eldest daughter Jane, Darcy has difficulty adapting to local society and repeatedly clashes with second-eldest Elizabeth.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film primarily explores themes of social class, individual pride, and the pursuit of love within 19th-century English society. It critiques class prejudice and societal pressures while ultimately affirming traditional institutions through the triumph of personal growth and genuine affection, resulting in a largely apolitical narrative.
This 1952 adaptation of Pride and Prejudice features traditional casting consistent with its historical setting and source material, without evidence of intentional race or gender swaps. The narrative focuses on social conventions and personal relationships within its period, without explicitly critiquing traditional identities from a modern DEI perspective.
Secondary
The film portrays Christianity as the foundational moral and social framework of 19th-century England. While it satirizes individual hypocrisy and social climbing within the clergy (e.g., Mr. Collins), the narrative implicitly upholds virtues aligned with Christian ethics, such as integrity, humility, and genuine affection, without critiquing the faith itself.
The 1952 film adaptation of 'Pride and Prejudice' does not include any discernible LGBTQ+ characters or themes. The narrative focuses on heterosexual relationships and societal norms of the early 19th century, consistent with its source material.
Based on the source material and historical context, the 1952 adaptation of Pride and Prejudice does not feature any identifiable transsexual characters or themes. The narrative is entirely focused on the social customs and romantic entanglements of the early 19th century, making the portrayal of transsexual identity N/A.
The movie does not contain any action or adventure elements.
This 1952 adaptation of Jane Austen's novel "Pride and Prejudice" faithfully portrays the established genders of its characters from the source material. There are no instances of characters canonically male or female being depicted as a different gender.
The 1952 adaptation of Jane Austen's "Pride and Prejudice" features a cast, including Thea Holme, Daphne Slater, and Peter Cushing, who are all white, consistent with the established racial background of the characters in the original 1813 novel set in England.
Viewer Rating Breakdown
User Ratings
6.0
N/A
Critic Ratings
N/A
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