Viewer Rating
Combines user and critic ratings from four sources

Taxi (1978)
Louie De Palma is a cantankerous, acerbic taxi dispatcher in New York City. He tries to maintain order over a collection of varied and strange characters who drive for him. As he bullies and insults them from the safety of his “cage,” they form a special bond among themselves, becoming friends and supporting each other through the inevitable trials and tribulations of life.
Louie De Palma is a cantankerous, acerbic taxi dispatcher in New York City. He tries to maintain order over a collection of varied and strange characters who drive for him. As he bullies and insults them from the safety of his “cage,” they form a special bond among themselves, becoming friends and supporting each other through the inevitable trials and tribulations of life.
The film explores urban decay, alienation, and a disturbed individual's violent vigilantism, presenting a complex and morally ambiguous critique of society without explicitly endorsing a specific political ideology. Its primary focus on psychological realism and character study results in a neutral political stance.
The movie features a cast that is primarily white, consistent with traditional casting practices. Its narrative focuses on character-driven stories without explicitly critiquing or negatively framing traditional identities.
Taxi included several storylines featuring gay characters, often as relatives or friends of the main cast. These narratives typically explored the initial discomfort or prejudice of the regular characters, ultimately resolving with a message of acceptance and understanding. The show consistently depicted LGBTQ+ individuals with dignity and used these plots to critique homophobic attitudes, promoting empathy.
The TV show "Taxi" features a transsexual character, Joyce, in one episode. While Joyce is portrayed with some dignity, the narrative primarily focuses on the cis protagonist's shock and discomfort upon learning her identity. The episode includes problematic jokes from other characters and frames Joyce's identity as a source of conflict and difficulty, rather than affirming trans lives or relationships.
The show portrays characters with Christian backgrounds, such as Elaine Nardo, with empathy and nuance. Their moral dilemmas and personal values, often implicitly rooted in Christian ethics, are explored respectfully, without depicting the religion itself as oppressive or foolish.
The show portrays Alex Reiger, a central and generally sympathetic character, as Jewish. His Jewish identity is presented as a normal and respected part of his background, without being subjected to satire or negative stereotypes by the narrative.
The movie does not contain any action or adventure elements.
Taxi (1978) is an original sitcom, not an adaptation or reboot of pre-existing characters. All characters were created for this series, establishing their original genders within the show itself. Therefore, no character's gender was changed from a prior canonical or historical depiction.
The 1978 series "Taxi" is an original production, not an adaptation or reboot of existing material with pre-established character races. All characters were originated within this show, thus no race swaps occurred.
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