7.8
Viewer Rating
Combines user and critic ratings from four sources
The 100 (2014)
The 100 (2014)
Overview
100 years in the future, when the Earth has been abandoned due to radioactivity, the last surviving humans live on an ark orbiting the planet — but the ark won't last forever. So the repressive regime picks 100 expendable juvenile delinquents to send down to Earth to see if the planet is still habitable.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Leans Left
Diversity: High
LGBTQ: Negative
Female Combat: Yes
Viewer Rating
7.8
Overview
100 years in the future, when the Earth has been abandoned due to radioactivity, the last surviving humans live on an ark orbiting the planet — but the ark won't last forever. So the repressive regime picks 100 expendable juvenile delinquents to send down to Earth to see if the planet is still habitable.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The series consistently critiques tribalism, xenophobia, and authoritarian power structures, championing diplomacy, empathy, and collective evolution towards a unified, peaceful future as the ultimate solution to humanity's self-destructive tendencies.
The series "The 100" demonstrates significant diversity through its intentional casting, featuring a wide range of prominent non-white and LGBTQ+ characters. While the narrative explores complex moral and societal issues, its focus is on broader themes of survival and human nature rather than an explicit critique of traditional identities.
Secondary
The 100 featured several LGBTQ+ characters, including a central lesbian romance between Lexa and Clarke, which was groundbreaking for its time. However, Lexa's death immediately after finding happiness tragically reinforced the harmful 'Bury Your Gays' trope, overshadowing other positive portrayals and leading to a net problematic impact on LGBTQ+ representation.
The show features several female characters who are highly skilled warriors. Octavia Blake and Lexa, among others, are repeatedly shown to be victorious in direct physical combat, utilizing melee weapons and martial arts against multiple male opponents.
The series 'The 100' does not feature identifiable transsexual characters or themes within its narrative. While known for its LGBTQ+ representation, this primarily focuses on lesbian and bisexual characters and relationships, with no specific portrayal of transsexual individuals or experiences.
The show is an adaptation of a book series. While it introduces many new characters and significantly diverges from the source material, no established characters from the books had their gender changed in the on-screen portrayal.
The show 'The 100' significantly diverged from its source novels, which did not explicitly or unambiguously establish the race of most characters. Therefore, casting choices for the show do not constitute a race swap as per the defined criteria.
Viewer Rating Breakdown
User Ratings
7.5
7.9
Critic Ratings
9.3
6.4
More Like This
Leans Progressive
7.1
American Me
(1992)
Political: Strong Left
Diversity: Moderate
LGBTQ: Negative
Progressive
7.0
Clockers
(1995)
Political: Leans Left
Diversity: High
Leans Progressive
6.9
I Care a Lot
(2021)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.8
Menace II Society
(1993)
Political: Strong Left
Diversity: Moderate
Leans Progressive
8.5
Dog Day Afternoon
(1975)
Political: Leans Left
Diversity: Low
LGBTQ: Positive
Leans Progressive
7.5
Jackie Brown
(1997)
Political: Center
Diversity: High
Progressive
7.2
Super Fly
(1972)
Political: Leans Left
Diversity: High
Leans Progressive
6.8
Bound by Honor
(1993)
Political: Leans Left
Diversity: High
LGBTQ: Negative
Progressive
7.8
The Green Mile
(1999)
Political: Leans Left
Diversity: High
Leans Progressive
8.2
Glengarry Glen Ross
(1992)
Political: Strong Left
Diversity: Low
Progressive
7.4
Hustlers
(2019)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Center
7.5
Bordertown
(1935)
Political: Leans Left
Diversity: Low
Leans Progressive
8.1
Traffic
(2000)
Political: Leans Left
Diversity: Moderate
Leans Progressive
8.0
Blue Collar
(1978)
Political: Strong Left
Diversity: Moderate
Leans Progressive
6.9
The Longest Yard
(1974)
Political: Leans Left
Diversity: Moderate
Progressive
8.2
West Side Story
(1961)
Political: Leans Left
Diversity: High
Leans Progressive
6.7
I Love You Phillip Morris
(2010)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Progressive
7.6
The Three Burials of Melquiades Estrada
(2005)
Political: Leans Left
Diversity: High
Progressive
8.3
Killers of the Flower Moon
(2023)
Political: Strong Left
Diversity: High
Leans Progressive
8.8
The Shawshank Redemption
(1994)
Political: Center
Diversity: High
LGBTQ: Negative